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Resumo(s)
Propõe-se uma análise panorâmica da evolução da moda, articulada com contextos históricos, sociais, culturais e artísticos do último quartel do século XX. Partindo da ideia de que a moda reflete o seu tempo, evidencia-se como fenómenos políticos (como o pós-25 de Abril em Portugal ou o fim da Guerra Fria), transformações sociais, avanços tecnológicos e movimentos culturais influenciaram diretamente as formas de vestir e os sistemas de gosto. Estabelece-se uma leitura interdisciplinar que cruza moda com música, cinema, televisão e comportamentos sociais, mostrando como estes universos contribuíram para a construção de identidades e tendências. Destaca-se a emergência de novos criadores, centros de produção e linguagens estéticas, bem como a crescente globalização da moda, com a afirmação de polos como Paris, Londres, Milão, Nova Iorque e Japão. Simultaneamente, analisa-se o desenvolvimento do sistema da moda em Portugal, evidenciando mudanças no consumo, na criação e na indústria.
ABSTRACT - A panoramic analysis is proposed of the evolution of fashion, articulated with the historical, social, cultural, and artistic contexts of the final quarter of the twentieth century. Grounded in the premise that fashion reflects its time, the study highlights how political phenomena (such as the post–25 April period in Portugal or the end of the Cold War), social transformations, technological advances, and cultural movements directly shaped modes of dress and systems of taste. An interdisciplinary reading is thus established, intersecting fashion with music, cinema, television, and social behaviours, demonstrating how these spheres contributed to the construction of identities and trends. Particular emphasis is placed on the emergence of new designers, centres of production, and aesthetic languages, as well as on the growing globalisation of fashion, marked by the consolidation of key hubs such as Paris, London, Milan, New York, and Japan. Simultaneously, the development of the fashion system in Portugal is examined, highlighting shifts in consumption, creative practices, and industry.
ABSTRACT - A panoramic analysis is proposed of the evolution of fashion, articulated with the historical, social, cultural, and artistic contexts of the final quarter of the twentieth century. Grounded in the premise that fashion reflects its time, the study highlights how political phenomena (such as the post–25 April period in Portugal or the end of the Cold War), social transformations, technological advances, and cultural movements directly shaped modes of dress and systems of taste. An interdisciplinary reading is thus established, intersecting fashion with music, cinema, television, and social behaviours, demonstrating how these spheres contributed to the construction of identities and trends. Particular emphasis is placed on the emergence of new designers, centres of production, and aesthetic languages, as well as on the growing globalisation of fashion, marked by the consolidation of key hubs such as Paris, London, Milan, New York, and Japan. Simultaneously, the development of the fashion system in Portugal is examined, highlighting shifts in consumption, creative practices, and industry.
Descrição
Palavras-chave
Moda Indumentária Vestuário Sociedade Século XX Fashion Dress Clothing Society Twentieth Century
Contexto Educativo
Citação
Editora
Escola Superior de Teatro e Cinema do Instituto Politécnico de Lisboa