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Authors
Advisor(s)
Abstract(s)
O presente trabalho pretende analisar as potencialidades da inscrição do realizador em campo, visando compreender o modo como o autor está inserido na matéria do filme, bem como a sua relação com as restantes personagens.
Neste projeto consta a análise de dois filmes, Visita ou Memória e Confissões (1982) de Manoel de Oliveira, e As Praias de Agnès (2008) de Agnès Varda, para compreender de que forma os dois cineastas se apresentam diante da câmara, e, assim, exporem as suas memórias e inquietações mais íntimas.
É através da análise destas duas obras que faço um objeto fílmico, Fruto do Vosso Ventre, que surge da necessidade de compreender os mecanismos de construção de um cinema na primeira pessoa, onde a relação entre mim e os meus pais é o tema principal.
ABSTRACT - This work intends to analyze the potential of the film director to appear in frame as a character himself, aiming to understand how the author is inserted in the film's material, as well as his relationship with other characters. This project includes the analysis of two films, Visit or Memories and Confessions (1982) by Manoel de Oliveira, and The Beaches of Agnès (2008) by Agnès Varda, to understand how the two filmmakers present themselves in front of the camera, and, thus, exposing their most intimate memories and concerns. It is through the analysis of these two works that I make a filmic object, Fruit of Your Womb, which arises from the need to understand the mechanisms of building a cinema in the first person, where the relationship between me and my parents is the main theme.
ABSTRACT - This work intends to analyze the potential of the film director to appear in frame as a character himself, aiming to understand how the author is inserted in the film's material, as well as his relationship with other characters. This project includes the analysis of two films, Visit or Memories and Confessions (1982) by Manoel de Oliveira, and The Beaches of Agnès (2008) by Agnès Varda, to understand how the two filmmakers present themselves in front of the camera, and, thus, exposing their most intimate memories and concerns. It is through the analysis of these two works that I make a filmic object, Fruit of Your Womb, which arises from the need to understand the mechanisms of building a cinema in the first person, where the relationship between me and my parents is the main theme.
Description
Trabalho de Projeto submetido à Escola Superior de Teatro e Cinema para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Desenvolvimento de Projeto Cinematográfico - especialização em Dramaturgia e Realização
Keywords
Autorrepresentação Identidade Memórias Intimidade Self-representation Identity Memories Intimacy
Citation
Publisher
Instituto Politécnico de Lisboa - Escola Superior de Teatro e Cinema