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Authors
Advisor(s)
Abstract(s)
Intenciono, a partir da experiência do filme Riscado (2010), refletir sobre processos de
construção identitária e produção de imagens, à luz de Marie-José Mondzain, no que tange a
condição inerente e dual do sujeito como produtor e espectador de imagens, um espectador
constantemente sob ameaça de anulação; Walter Benjamin e o seu conceito de fantasmagoria,
no que tange o território sociocultural; e flertando com Gaston Bachelard e o seu conceito de
concha, no que tange o íntimo. O recorte dá-se ao redor de uma personagem que é atriz, e
está em constante oscilação entre desejo de ação e condição de trabalho, onde os atos
artísticos estão submissos à poréns do meio. Observamos como formas de legitimação da
imagem do indivíduo na contemporaneidade ditam o vir-a-ser possível de sua experiência; e
como a funcionalização do corpo molda o universo íntimo, pontualmente neste panorama
traçado pelas vivências performáticas da personagem em questão.
ABSTRACT - I intend to reflect upon processes of identity construction and image production, stemming from the movie Craft (2010), in the light of Marie-José Mondzain, as to what concerns the dual and inherent condition of the subject as a producer and product of images, a spectator under constant threat of annulation; Walter Benjamin and his concept of phantasmagoria, as to what concerns the sociocultural territory and the audio-visual image of the body; and flirting with Gaston Bachelard and his concept of shell, as to what concerns the innerness of oneself. The frame here lies around a character who is an actor, one in a constant sway between a desire for action and work condition, where the artistic acts are subject to environmental propositions. We shall observe how ways of legitimizing the image of oneself in contemporaneity dictate the possible come-to-be of their experience; and how the functionalization of the body shapes its inner universe, punctually in this panorama made of the performative experiences of the character in question.
ABSTRACT - I intend to reflect upon processes of identity construction and image production, stemming from the movie Craft (2010), in the light of Marie-José Mondzain, as to what concerns the dual and inherent condition of the subject as a producer and product of images, a spectator under constant threat of annulation; Walter Benjamin and his concept of phantasmagoria, as to what concerns the sociocultural territory and the audio-visual image of the body; and flirting with Gaston Bachelard and his concept of shell, as to what concerns the innerness of oneself. The frame here lies around a character who is an actor, one in a constant sway between a desire for action and work condition, where the artistic acts are subject to environmental propositions. We shall observe how ways of legitimizing the image of oneself in contemporaneity dictate the possible come-to-be of their experience; and how the functionalization of the body shapes its inner universe, punctually in this panorama made of the performative experiences of the character in question.
Description
Dissertação submetida à Escola Superior de Teatro e Cinema para cumprimento dos requisitos necessários à
obtenção do grau de Mestre em Desenvolvimento de Projecto - especialização em Narrativas Cinematográficas
Keywords
Fantasmagoria Espectador Imagem Identidade Concha Phantasmagoria Spectator Image Identity Shell
Citation
Publisher
Instituto Politécnico de Lisboa - Escola Superior de Teatro e Cinema