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Abstract(s)
O presente trabalho teórico-prático acompanha o processo de investigação e desenvolvimento do ensaio fotofílmico de formato curto A Chegada de Um Comboio, desde o seu momento embrionário até à criação de uma das suas cenas. A cena realizada consiste na encenação de uma memória pessoal, através da exploração cinematográfica virtual de uma imagem fotográfica tridimensional, produzida com um scanner LiDAR, da casa dos meus avós maternos, que se estende até ao comboio regional que passa nas traseiras da moradia. É nesse cenário que narro o nascimento de uma inquietação pessoal — a necessidade de conciliar a viagem (o comboio) com a casa — que, por sua vez, serve de pretexto para uma exploração artística e filosófica sobre a conciliação entre movimento e imobilidade, no contexto da criação fotofílmica. Deste modo, a componente prática alimenta simbioticamente a investigação teórica, que tem por objetivo central pensar criticamente a criação cinematográfica feita com fotografias e a forma como os fotofilmes permitem elucidar, dentro do cinema, os conceitos de tempo, espaço, movimento e memória. Ao questionamento sobre a relação entre fotografia e cinema, soma-se uma reflexão sobre a aproximação do cinema ao virtual, ambos ligados pela teoria dos media e o conceito de intermedialidade.
ABSTRACT - The present mixed project, containing both theoretical and practical components, follows the research and development process of the short photofilmic essay The Arrival of a Train, from its embryonic stage to the creation of one of its scenes. Through the virtual cinematic exploration of a three-dimensional photographic image of my grandparents' house, extending to the regional train passing behind it, produced with a LiDAR scanner, the scene directed is an enactment of a personal memory. It's in this setting that I recount the inception of a personal concern — the need to reconcile the journey (the train) with the home. This, in turn, serves as a pretext for an artistic and philosophical exploration of the reconciliation between movement and immobility in the context of photofilmic creation. Thus, the practical component symbiotically nourishes the theoretical research whose central aim is to think critically upon cinematic creation. By resorting to photographs, photofilms help to clarify, within cinema, the concepts of time, space, movement, and memory. Together with an inquiry into the relationship between photography and cinema, there’s a reflection about the convergence of cinema and virtual technologies, interconnected by media theory and the concept of intermediality.
ABSTRACT - The present mixed project, containing both theoretical and practical components, follows the research and development process of the short photofilmic essay The Arrival of a Train, from its embryonic stage to the creation of one of its scenes. Through the virtual cinematic exploration of a three-dimensional photographic image of my grandparents' house, extending to the regional train passing behind it, produced with a LiDAR scanner, the scene directed is an enactment of a personal memory. It's in this setting that I recount the inception of a personal concern — the need to reconcile the journey (the train) with the home. This, in turn, serves as a pretext for an artistic and philosophical exploration of the reconciliation between movement and immobility in the context of photofilmic creation. Thus, the practical component symbiotically nourishes the theoretical research whose central aim is to think critically upon cinematic creation. By resorting to photographs, photofilms help to clarify, within cinema, the concepts of time, space, movement, and memory. Together with an inquiry into the relationship between photography and cinema, there’s a reflection about the convergence of cinema and virtual technologies, interconnected by media theory and the concept of intermediality.
Description
Trabalho de Projeto submetido à Escola Superior de Teatro e Cinema para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Desenvolvimento de Projeto Cinematográfico - especialização em Dramaturgia e Realização
Keywords
Fotofilme Filme-ensaio Cinema Fotografia Intermedialidades Virtual Memória Photofilm Essay-film Photography Intermediality Virtual Memory
Citation
Publisher
Instituto Politécnico de Lisboa - Escola Superior de Teatro e Cinema