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Publication
Isto não é um solo: processo coreográfico de um (quase) solo
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Authors
Advisor(s)
Abstract(s)
Para o projeto desenvolvido no âmbito do Mestrado em Criação Coreográfica e Práticas Profissionais, propus-me criar um solo coregráfico para mim mesma, colocando-me simultaneamente no lugar de criadora e intérprete e usufruindo daquelas que são as eventuais dificuldades ou regalias do trabalho a solo.
Existem inúmeras formas de dar início a uma criação, pessoalmente, sinto a necessidade de delinear em antemão o universo sobre o qual pretendo debruçar-me, de forma a poder iniciar alguma pesquisa temática e conceptual que depois me acompanha para estúdio, mesmo que a ideia inicial lentamente comece a desvanecer ou dar lugar a novos conceitos. Neste caso, o mote para a criação que, inicialmente intitulo de “NEM UM” e apenas mais tarde no processo dá lugar a “Isto não é um solo”, tem como mote a obra de Luigi Pirandello "Um, Nenhum e Cem Mil".
Os formatos que encontramos atualmente nos processos de conceção coreográfica, representam uma panóplia de possibilidades, tornando-se cada vez mais diluídas as fronteiras que separam as diferentes áreas artísticas. São múltiplos os exemplos de criadores que integram obras literárias nas suas composições, servindo-lhes de diferentes modos e com propósitos variados. Para este projeto, pretendia que o texto se ausentasse do objeto coreográfico, servindo-lhe apenas como motor de produção de pensamentos, propostas, indagações, imagens ou contextos. Não obstante, em nenhum momento recusei a presença da palavra - escrita e dita – mantendo aberta a possibilidade da sua inclusão no objeto artístico final.
A materialização da proposta criativa passa por diferentes moldes, encontrando-se com técnicas de improvisação, manipulação e construção de materiais coreográficos, reflexões sobre o espaço cénico e os seus componentes – luz, figurino e cenário – e a mediação de conceitos e imagens que o próprio corpo desenvolve.
“Isto não é um solo” ganha forma pela primeira vez, mediante um público e no palco do Auditório do Instituto Português do Desporto e Juventude de Viseu, no âmbito do Festival Lugar Futuro, organizado pela escola e companhia Lugar Presente, proveniente da mesma cidade, no dia 24 de março de 2024.
ABSTRACT - For the project developed within the scope of the Master's Degree in Choreographic Creation and Professional Practices, I set out to create a choreographic solo for myself, putting myself simultaneously in the place of creator and performer and taking advantage of the potential difficulties or benefits of solo work. There are countless ways to start a creation, personally, I feel the need to outline in advance the universe I intend to focus on, so that I can begin some thematic and conceptual research that will then accompany me to the studio, even if the initial idea slowly begins to fade or give way to new ideas or concepts. In this case, the motto for the creation, which I initially titled “NEM UM” and only later in the process gives way to “This is not a solo”, is Luigi Pirandello's work "One, None and a Hundred Thousand". The formats that we currently find in choreographic conception, represent a panoply of possibilities, with the boundaries that separate the different artistic areas becoming increasingly blurred. There are multiple examples of creators who integrate literary works into their compositions, serving them in different ways and with different purposes. For this project, I intended the text to be absent from the choreographic object, serving only as a motor for producing thoughts, proposals, questions, images or contexts. However, at any point did I refuse the presence of the word – written and spoken – keeping the possibility of its inclusion in the final artistic object open. The materialization of the creative proposal will take different forms, involving improvisation techniques, manipulation and construction of choreographic materials, reflections on the scenic space and its components – light, costumes and scenery – and the mediation of concepts and images that the body itself develops. “This is not a solo” takes shape for the first time, in front of an audience and on the stage of the Auditorium of the Instituto Português do Desporto e Juventude de Viseu, within the scope of the Lugar Futuro Festival, organized by the school and company Lugar Presente, from the same city, on March 24, 2024.
ABSTRACT - For the project developed within the scope of the Master's Degree in Choreographic Creation and Professional Practices, I set out to create a choreographic solo for myself, putting myself simultaneously in the place of creator and performer and taking advantage of the potential difficulties or benefits of solo work. There are countless ways to start a creation, personally, I feel the need to outline in advance the universe I intend to focus on, so that I can begin some thematic and conceptual research that will then accompany me to the studio, even if the initial idea slowly begins to fade or give way to new ideas or concepts. In this case, the motto for the creation, which I initially titled “NEM UM” and only later in the process gives way to “This is not a solo”, is Luigi Pirandello's work "One, None and a Hundred Thousand". The formats that we currently find in choreographic conception, represent a panoply of possibilities, with the boundaries that separate the different artistic areas becoming increasingly blurred. There are multiple examples of creators who integrate literary works into their compositions, serving them in different ways and with different purposes. For this project, I intended the text to be absent from the choreographic object, serving only as a motor for producing thoughts, proposals, questions, images or contexts. However, at any point did I refuse the presence of the word – written and spoken – keeping the possibility of its inclusion in the final artistic object open. The materialization of the creative proposal will take different forms, involving improvisation techniques, manipulation and construction of choreographic materials, reflections on the scenic space and its components – light, costumes and scenery – and the mediation of concepts and images that the body itself develops. “This is not a solo” takes shape for the first time, in front of an audience and on the stage of the Auditorium of the Instituto Português do Desporto e Juventude de Viseu, within the scope of the Lugar Futuro Festival, organized by the school and company Lugar Presente, from the same city, on March 24, 2024.
Description
Keywords
Coreografia Solo Texto Identidade Choreography Solo
Citation
Vieira da Cunha, V.R. (2024). Isto não é um solo: Processo coreográfico de um (quase) solo. [Dissertação de Mestrado, Escola Superior de Dança]. Repositório do Instituto Politécnico de Lisboa. http://hdl.handle.net/10400.21/21467
Publisher
Instituto Politécnico de Lisboa - Escola Superior de Dança