Publicação
Roy Andersson’s tableau aesthetic: a cinematic social space between painting and theatre
| dc.contributor.author | Chinita, Fátima | |
| dc.date.accessioned | 2018-10-29T11:28:03Z | |
| dc.date.available | 2018-10-29T11:28:03Z | |
| dc.date.issued | 2018 | |
| dc.description.abstract | ABSTRACT - The article examines three films by Roy Andersson, "Songs from the Second Floor" ("Sånger från andra våningen", 2000), "You, the Living" ("Du levande", 2007), and "A Pigeon Sat on a Branch Reflecting on Existence" ("En duva satt på en gren och funderade på tillvaron", 2014). The Swedish director depicts the human condition afflicted by the loss of its humanity through a personal style that he calls “the complex image,” a tableau aesthetic that instigates social criticism, and is dependent upon long shots, immobility, unchanging shot scale, and layered compositions. The author establishes a connection between artistic and social space and scrutinizes the challenges that this “complexity” poses for the film viewer from an intermedial perspective in which cinema enters into a dialogue with two other art forms: painting and theatre. Four specific issues are discussed: (1) the intertwining of reality and artificiality as a “hyperreality;” (2) the visual compositions which are simultaneously self-contained and entirely open, highlighting a tension between volume and surface; (3) the opposition between stasis and movement, conveying a meaningful social contrast and the characters’ angst; (4) the pictoriality of the image. | pt_PT |
| dc.description.version | info:eu-repo/semantics/publishedVersion | pt_PT |
| dc.identifier.doi | https://doi.org/10.1515/ausfm-2018-0004 | pt_PT |
| dc.identifier.uri | http://hdl.handle.net/10400.21/8976 | |
| dc.language.iso | eng | pt_PT |
| dc.peerreviewed | yes | pt_PT |
| dc.publisher | De Gruyter Open | pt_PT |
| dc.relation | FCT, Portuguese state Foundation for Science and Technology, under the Post-Doctoral fellowship programme SFRH/BDP/113196/2015 | pt_PT |
| dc.relation.publisherversion | https://content.sciendo.com/view/journals/ausfm/15/1/article-p69.xml | pt_PT |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | pt_PT |
| dc.subject | Tableau aesthetic | pt_PT |
| dc.subject | Inter-art relations | pt_PT |
| dc.subject | Complex image | pt_PT |
| dc.subject | Space | pt_PT |
| dc.subject | Roy Andersson | pt_PT |
| dc.title | Roy Andersson’s tableau aesthetic: a cinematic social space between painting and theatre | pt_PT |
| dc.type | journal article | |
| dspace.entity.type | Publication | |
| oaire.citation.conferencePlace | Warsaw | pt_PT |
| oaire.citation.endPage | 86 | pt_PT |
| oaire.citation.issue | 1 | pt_PT |
| oaire.citation.startPage | 69 | pt_PT |
| oaire.citation.title | Acta Univ. Sapientiae, Film and Media Studies | pt_PT |
| oaire.citation.volume | 15 | pt_PT |
| person.familyName | Mata | |
| person.givenName | Maria | |
| person.identifier.orcid | 0000-0001-7494-1039 | |
| rcaap.rights | openAccess | pt_PT |
| rcaap.type | article | pt_PT |
| relation.isAuthorOfPublication | 4e5f0177-6b2a-4c33-8259-2ff05d9c945a | |
| relation.isAuthorOfPublication.latestForDiscovery | 4e5f0177-6b2a-4c33-8259-2ff05d9c945a |
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