Publication
Nothing from nothing
dc.contributor.author | Swartz, David | |
dc.date.accessioned | 2024-12-20T15:49:23Z | |
dc.date.available | 2024-12-20T15:49:23Z | |
dc.date.issued | 2024-12 | |
dc.description.abstract | Neste artigo, discutem-se a teoria e a inspiração subjacentes à produção, realização e montagem de numa adaptação cinematográfica do Rei Lear de Shakespeare intitulada Nothing From Nothing (2024/2025). O objetivo é realçar o valor estético do nada, expondo a capacidade e o poder milagroso do nada para se criar a si próprio a partir de si próprio e para inspirar a criatividade autónoma nos outros. | pt_PT |
dc.description.abstract | ABSTRACT - This paper discusses the theory and inspiration behind producing, directing and editing a film adaptation of Shakespeare’s King Lear entitled Nothing From Nothing (2024/2025). The goal is to highlight the aesthetic value of nothing by exposing nothing’s miraculous ability and power to create itself out of itself, and to inspire autonomous creativity in others. | pt_PT |
dc.description.version | info:eu-repo/semantics/publishedVersion | pt_PT |
dc.identifier.citation | “Nothing From Nothing”. 2024. RHINOCERVS: Cinema, Dança, Música, Teatro 1 (2): 114-62. https://doi.org/10.34629/rcdmt.vol.1.n.2.pp114-162. | pt_PT |
dc.identifier.doi | https://doi.org/10.34629/rcdmt.vol.1.n.2.pp114-162 | pt_PT |
dc.identifier.eissn | 2795-5788 | |
dc.identifier.uri | http://hdl.handle.net/10400.21/18062 | |
dc.language.iso | eng | pt_PT |
dc.peerreviewed | yes | pt_PT |
dc.publisher | Instituto Politécnico de Lisboa | pt_PT |
dc.relation.publisherversion | https://journals.ipl.pt/rhinocervs/article/view/843 | pt_PT |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | pt_PT |
dc.subject | King Lear | pt_PT |
dc.subject | The aesthetics of nothing | pt_PT |
dc.subject | Shakespeare’s tenth muse | pt_PT |
dc.subject | Sebastianism | pt_PT |
dc.subject | Cordelia’s double | pt_PT |
dc.subject | Estética do nada | pt_PT |
dc.subject | A décima musa de Shakespeare | pt_PT |
dc.subject | Sebastianismo | pt_PT |
dc.subject | O duplo de Cordélia | pt_PT |
dc.title | Nothing from nothing | pt_PT |
dc.type | journal article | |
dspace.entity.type | Publication | |
oaire.citation.conferencePlace | Lisboa | pt_PT |
oaire.citation.endPage | 162 | pt_PT |
oaire.citation.issue | 2 | pt_PT |
oaire.citation.startPage | 114 | pt_PT |
oaire.citation.title | Rhinocervs : cinema, dança, música, teatro | pt_PT |
oaire.citation.volume | 1 | pt_PT |
person.familyName | Swartz | |
person.givenName | David | |
person.identifier.ciencia-id | ED1F-EC09-B210 | |
person.identifier.orcid | 0000-0001-7952-4795 | |
rcaap.rights | openAccess | pt_PT |
rcaap.type | article | pt_PT |
relation.isAuthorOfPublication | 7446d0ec-376d-4e2e-a3aa-102b75c2b1ec | |
relation.isAuthorOfPublication.latestForDiscovery | 7446d0ec-376d-4e2e-a3aa-102b75c2b1ec |
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