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Authors
Advisor(s)
Abstract(s)
Neste artigo, discutem-se a teoria e a inspiração subjacentes à produção, realização e montagem de numa adaptação cinematográfica do Rei Lear de Shakespeare intitulada Nothing From Nothing (2024/2025). O objetivo é realçar o valor estético do nada, expondo a capacidade e o poder milagroso do nada para se criar a si próprio a partir de si próprio e para inspirar a criatividade autónoma nos outros.
ABSTRACT - This paper discusses the theory and inspiration behind producing, directing and editing a film adaptation of Shakespeare’s King Lear entitled Nothing From Nothing (2024/2025). The goal is to highlight the aesthetic value of nothing by exposing nothing’s miraculous ability and power to create itself out of itself, and to inspire autonomous creativity in others.
ABSTRACT - This paper discusses the theory and inspiration behind producing, directing and editing a film adaptation of Shakespeare’s King Lear entitled Nothing From Nothing (2024/2025). The goal is to highlight the aesthetic value of nothing by exposing nothing’s miraculous ability and power to create itself out of itself, and to inspire autonomous creativity in others.
Description
Keywords
King Lear The aesthetics of nothing Shakespeare’s tenth muse Sebastianism Cordelia’s double Estética do nada A décima musa de Shakespeare Sebastianismo O duplo de Cordélia
Citation
“Nothing From Nothing”. 2024. RHINOCERVS: Cinema, Dança, Música, Teatro 1 (2): 114-62. https://doi.org/10.34629/rcdmt.vol.1.n.2.pp114-162.
Publisher
Instituto Politécnico de Lisboa