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Authors
Advisor(s)
Abstract(s)
Este estudo tem como foco principal a análise do potencial poético e dramatúrgico de figuras sonoras do cinema a partir da materialidade das diferentes pistas da trilha sonora, refletindo essencialmente sobre a voice-over, mas também os diálogos, a música e os ruídos, assim como o silêncio, de modo a revelar as articulações que os sons estabelecem entre si e com a imagem. O objeto fílmico escolhido para a reflexão sobre as questões levantadas e que, verdadeiramente, propõe um desafio em relação à investigação é o longa-metragem “India Song”, de Marguerite Duras, que contém uma narrativa construída lírica e dramaturgicamente a partir de uma perspectiva sonora, gerando tonalidades que configuram diferentes níveis temporais em articulação com a memória. Esta observação foi incitada pela preparação de um curta-metragem que pretende também desenvolver esses níveis de figuração por meio do som.
ABSTRACT - The main focus of this study is the analysis of the poetic and dramaturgical potential of film sound figures considering the materiality of different layers of a soundtrack, reflecting essentially on voice-over, but also dialogues, music and sound effects, as well as silence, in order to reveal the articulations that sound elements establish among themselves and with the image. The film chosen to reflect on the issues raised above and that truly poses a challenge regarding this investigation is the feature film “India Song” by Marguerite Duras, which contains a narrative that is lyrically and dramatically constructed from a sound perspective, creating tones that configure different time layers in conjunction with memory. This investigation was prompted by the project of a short film that also intends to develop these levels of figuration through sound.
ABSTRACT - The main focus of this study is the analysis of the poetic and dramaturgical potential of film sound figures considering the materiality of different layers of a soundtrack, reflecting essentially on voice-over, but also dialogues, music and sound effects, as well as silence, in order to reveal the articulations that sound elements establish among themselves and with the image. The film chosen to reflect on the issues raised above and that truly poses a challenge regarding this investigation is the feature film “India Song” by Marguerite Duras, which contains a narrative that is lyrically and dramatically constructed from a sound perspective, creating tones that configure different time layers in conjunction with memory. This investigation was prompted by the project of a short film that also intends to develop these levels of figuration through sound.
Description
Dissertação submetida à Escola Superior de Teatro e Cinema para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Desenvolvimento de Projeto Cinematográfico – especialização em Dramaturgia e Realização
Keywords
Som Figuração Poética India Song Marguerite Duras Sound Figuration Poetics
Citation
Publisher
Instituto Politécnico de Lisboa - Escola Superior de Teatro e Cinema