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Advisor(s)
Abstract(s)
Resumo - O número crescente de coros infantis em Portugal e a falta de repertório de compositores
portugueses escrito para os mesmos, foram motivo impulsionador da existência deste
projecto. A esta necessidade acresce a importância de expor as crianças, durante o seu
processo formativo, a diversas linguagens musicais para que a sua educação seja o mais sólida
e abrangente possível.
O Canto Gregoriano, com as suas particularidades modais e melódicas únicas, apresenta-se
como um excelente veículo de ligação entre os binómios tradição/modernidade e
educação/execução. É neste contexto que foram encomendadas duas novas obras musicais de
compositores portugueses: “Missa brevis” de Sérgio Azevedo e “Assim do tempo em que me
falavas” de Nuno da Rocha, executadas pelo coro infantil do Instituto Gregoriano de Lisboa.
O relatório deste projecto artístico pretende ser uma reflexão sobre a génese, ensaio e
execução das referidas obras, bem como as conclusões artísticas e pedagógicas retiradas desse
processo.
Abstract - The growing number of children's choirs in Portugal, and the lack of repertoire by portuguese composers for them, have been the driving force for this project. In addition to this need, there is the importance of exposing children, during their formative years, to the diverse musical languages that make their education as solid and wide ranging as possible. Gregorian chant, with its modal specifics and unique melodies, lends itself as an excellent conduit between the tradition/modernity and education/performance dichotomies. It is in this context that two new musical works were commissioned to portuguese composers: "Missa Brevis", by Sérgio Azevedo and "Assim do tempo em que me falavas" by Nuno da Rocha, which were performed by the children's choir of the Instituto Gregoriano de Lisboa. This artistic project's report aims to be a reflection on the genesis, rehearsal and performance of the above mentioned works, as well as on the artistic and pedagogical conclusions taken from the process.
Abstract - The growing number of children's choirs in Portugal, and the lack of repertoire by portuguese composers for them, have been the driving force for this project. In addition to this need, there is the importance of exposing children, during their formative years, to the diverse musical languages that make their education as solid and wide ranging as possible. Gregorian chant, with its modal specifics and unique melodies, lends itself as an excellent conduit between the tradition/modernity and education/performance dichotomies. It is in this context that two new musical works were commissioned to portuguese composers: "Missa Brevis", by Sérgio Azevedo and "Assim do tempo em que me falavas" by Nuno da Rocha, which were performed by the children's choir of the Instituto Gregoriano de Lisboa. This artistic project's report aims to be a reflection on the genesis, rehearsal and performance of the above mentioned works, as well as on the artistic and pedagogical conclusions taken from the process.
Description
Mestrado em Música
Keywords
Canto gregoriano Coro infantil Música sacra Sérgio Azevedo Nuno da Rocha Gregorian chant Children’s choir Sacred music
Citation
Publisher
Instituto Politécnico de Lisboa - Escola Superior de Música de Lisboa