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Advisor(s)
Abstract(s)
Este relatório de projecto – objecto conferente a grau de Mestre para o Mestrado em Teatro –
especialização em Encenação – pretende descrever o processo criativo de encenação da peça O Pequeno Eyolf de Henrik Ibsen através do levantamento das acções físicas e relações espaciais presentes no texto e o tratamento das mesmas usando ferramentas e conceitos provenientes do sistema de análise de movimento de Rudolf Laban. Esta encenação serve como uma investigação para determinar a possibilidade de se estudar um texto do reportório canónico
da dramaturgia ocidental do ponto de vista da fisicalidade e espacialidade do texto mais do que do carácter literário – isto é, partir das didascálias em vez das falas das personagens.
Aprofundando temas como o simbolismo da escrita ibseniana, este relatório descreve a dramaturgia da peça e os conceitos desta encenação – passando por uma explicação detalhada das diferentes fases do processo e dos conceitos plásticos para esta encenação. Por fim, o
relatório pretende avaliar o espectáculo proveniente deste trabalho e investigação e reflectir
acerca do sucesso da mesma.
ABSTRACT - This project report – thesis for the Master’s in Theatre Directing – aims to describe the creative process of directing Henrik Ibsen’s Little Eyolf (O Pequeno Eyolf in Portuguese / Lille Eyolf in Norwegian) through the study of the physical actions and spatial relations found in the text and the application of a few of Rudolf Laban’s movement analysis system’s concepts and tools. This process also serves as an investigation regarding the possibility of a physical and spatial analysis of a text from the classical, western theatre canon as opposed to an examination of its literary traits – i.e., building a performance from the play’s stage directions and not from the characters’ lines. Exploring the themes of symbolism in Ibsenian literature, this report further examines the play’s dramaturgy and the concepts behind this production – explaining in detail the different stages of its process (from a directorial point of view) and all the concepts behind the performance’s aesthetics.
ABSTRACT - This project report – thesis for the Master’s in Theatre Directing – aims to describe the creative process of directing Henrik Ibsen’s Little Eyolf (O Pequeno Eyolf in Portuguese / Lille Eyolf in Norwegian) through the study of the physical actions and spatial relations found in the text and the application of a few of Rudolf Laban’s movement analysis system’s concepts and tools. This process also serves as an investigation regarding the possibility of a physical and spatial analysis of a text from the classical, western theatre canon as opposed to an examination of its literary traits – i.e., building a performance from the play’s stage directions and not from the characters’ lines. Exploring the themes of symbolism in Ibsenian literature, this report further examines the play’s dramaturgy and the concepts behind this production – explaining in detail the different stages of its process (from a directorial point of view) and all the concepts behind the performance’s aesthetics.
Description
Trabalho de Projeto submetido à Escola Superior de Teatro e Cinema para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Teatro - especialização em Encenação
Keywords
Simbolismo Dramaturgia ibseniana Estudo de textos cénicos Exploração física Rudolf Laban Henrik Ibsen Symbolism Ibsenian dramaturgy Text analysis Physical exploration
Citation
Publisher
Instituto Politécnico de Lisboa - Escola Superior de Teatro e Cinema