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Terra morta: a agonia do eros em tempos de liquidez
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Advisor(s)
Abstract(s)
Este relatório apresenta o processo de desenvolvimento e criação de um espetáculo teatral cuja dramaturgia foi construída a partir da combinação do “Mito de Aristófanes”, retirado de O Banquete de Platão, com o conto “Luamanda”, presente no livro Olhos D’água da escritora brasileira Conceição Evaristo, contando ainda com uma componente concebida a partir de experiências pessoais dos dois dramaturgistas envolvidos no processo. Um dos objetivos centrais do projeto é explorar o conceito de amor, fragmentação e busca por completude, presentes no mito platônico, à luz das complexidades do amor, da identidade e dos impactos das dinâmicas estabelecidas com o advento dos aplicativos de relacionamento na contemporaneidade. A peça também conta com uma componente performativa de dança, trabalhada a partir de elementos do funk brasileiro. O relatório detalha as fases de pesquisa, criação coletiva e desenvolvimento estético. A proposta visa um diálogo entre a tradição filosófica, a literatura afro-brasileira contemporânea e as culturas urbanas, oferecendo uma leitura inovadora e crítica das relações humanas e afetivas na sociedade atual.
ABSTRACT - This report presents the process of developing and creating a theatrical performance whose dramaturgy was constructed from the combination of the Myth of Aristophanes, taken from Plato’s The Symposium , with the short story “Luamanda”, present in the book Olhos D’água by the Brazilian writer Conceição Evaristo, and a component conceived from the personal experiences of the two playwrights involved in the process. One of the central objectives of the project is to explore the concept of love, fragmentation and the search for completeness, present in the Platonic myth, in light of the complexities of love, identity and the impacts of the dynamics established with the advent of dating apps in contemporary times. The play also has a performative dance component, based on elements of Brazilian funk. The report details the phases of research, collective creation and aesthetic development. The proposal aims at a dialogue between the philosophical tradition, contemporary Afro-Brazilian literature and urban cultures, offering an innovative and critical reading of human and affective relationships in today’s society.
ABSTRACT - This report presents the process of developing and creating a theatrical performance whose dramaturgy was constructed from the combination of the Myth of Aristophanes, taken from Plato’s The Symposium , with the short story “Luamanda”, present in the book Olhos D’água by the Brazilian writer Conceição Evaristo, and a component conceived from the personal experiences of the two playwrights involved in the process. One of the central objectives of the project is to explore the concept of love, fragmentation and the search for completeness, present in the Platonic myth, in light of the complexities of love, identity and the impacts of the dynamics established with the advent of dating apps in contemporary times. The play also has a performative dance component, based on elements of Brazilian funk. The report details the phases of research, collective creation and aesthetic development. The proposal aims at a dialogue between the philosophical tradition, contemporary Afro-Brazilian literature and urban cultures, offering an innovative and critical reading of human and affective relationships in today’s society.
Description
Trabalho de Projeto submetido à Escola Superior de Teatro e Cinema para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Teatro - especialização em Artes Performativas
Keywords
Amor Aplicativos de relacionamento Funk brasileiro Artes performativas Relacionamentos Love Dating apps Brazilian funk Performing arts Relationships
Citation
Publisher
Instituto Politécnico de Lisboa - Escola Superior de Teatro e Cinema