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Terra morta: a agonia do eros em tempos de liquidez
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Resumo(s)
Este relatĆ³rio apresenta o processo de desenvolvimento e criaĆ§Ć£o de um espetĆ”culo teatral cuja dramaturgia foi construĆda a partir da combinaĆ§Ć£o do āMito de AristĆ³fanesā, retirado de O Banquete de PlatĆ£o, com o conto āLuamandaā, presente no livro Olhos DāĆ”gua da escritora brasileira ConceiĆ§Ć£o Evaristo, contando ainda com uma componente concebida a partir de experiĆŖncias pessoais dos dois dramaturgistas envolvidos no processo. Um dos objetivos centrais do projeto Ć© explorar o conceito de amor, fragmentaĆ§Ć£o e busca por completude, presentes no mito platĆ“nico, Ć luz das complexidades do amor, da identidade e dos impactos das dinĆ¢micas estabelecidas com o advento dos aplicativos de relacionamento na contemporaneidade. A peƧa tambĆ©m conta com uma componente performativa de danƧa, trabalhada a partir de elementos do funk brasileiro. O relatĆ³rio detalha as fases de pesquisa, criaĆ§Ć£o coletiva e desenvolvimento estĆ©tico. A proposta visa um diĆ”logo entre a tradiĆ§Ć£o filosĆ³fica, a literatura afro-brasileira contemporĆ¢nea e as culturas urbanas, oferecendo uma leitura inovadora e crĆtica das relaƧƵes humanas e afetivas na sociedade atual.
ABSTRACT - This report presents the process of developing and creating a theatrical performance whose dramaturgy was constructed from the combination of the Myth of Aristophanes, taken from Platoās The Symposium , with the short story āLuamandaā, present in the book Olhos DāĆ”gua by the Brazilian writer ConceiĆ§Ć£o Evaristo, and a component conceived from the personal experiences of the two playwrights involved in the process. One of the central objectives of the project is to explore the concept of love, fragmentation and the search for completeness, present in the Platonic myth, in light of the complexities of love, identity and the impacts of the dynamics established with the advent of dating apps in contemporary times. The play also has a performative dance component, based on elements of Brazilian funk. The report details the phases of research, collective creation and aesthetic development. The proposal aims at a dialogue between the philosophical tradition, contemporary Afro-Brazilian literature and urban cultures, offering an innovative and critical reading of human and affective relationships in todayās society.
ABSTRACT - This report presents the process of developing and creating a theatrical performance whose dramaturgy was constructed from the combination of the Myth of Aristophanes, taken from Platoās The Symposium , with the short story āLuamandaā, present in the book Olhos DāĆ”gua by the Brazilian writer ConceiĆ§Ć£o Evaristo, and a component conceived from the personal experiences of the two playwrights involved in the process. One of the central objectives of the project is to explore the concept of love, fragmentation and the search for completeness, present in the Platonic myth, in light of the complexities of love, identity and the impacts of the dynamics established with the advent of dating apps in contemporary times. The play also has a performative dance component, based on elements of Brazilian funk. The report details the phases of research, collective creation and aesthetic development. The proposal aims at a dialogue between the philosophical tradition, contemporary Afro-Brazilian literature and urban cultures, offering an innovative and critical reading of human and affective relationships in todayās society.
DescriĆ§Ć£o
Trabalho de Projeto submetido Ć Escola Superior de Teatro e Cinema para cumprimento dos requisitos necessĆ”rios Ć obtenĆ§Ć£o do grau de Mestre em Teatro - especializaĆ§Ć£o em Artes Performativas
Palavras-chave
Amor Aplicativos de relacionamento Funk brasileiro Artes performativas Relacionamentos Love Dating apps Brazilian funk Performing arts Relationships
Contexto Educativo
CitaĆ§Ć£o
Editora
Instituto PolitƩcnico de Lisboa - Escola Superior de Teatro e Cinema