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Advisor(s)
Abstract(s)
Este relatório apresenta o processo de desenvolvimento e criação de um espetĆ”culo teatral cuja dramaturgia foi construĆda a partir da combinação do āMito de Aristófanesā, retirado de O Banquete de PlatĆ£o, com o conto āLuamandaā, presente no livro Olhos DāĆ”gua da escritora brasileira Conceição Evaristo, contando ainda com uma componente concebida a partir de experiĆŖncias pessoais dos dois dramaturgistas envolvidos no processo. Um dos objetivos centrais do projeto Ć© explorar o conceito de amor, fragmentação e busca por completude, presentes no mito platĆ“nico, Ć luz das complexidades do amor, da identidade e dos impactos das dinĆ¢micas estabelecidas com o advento dos aplicativos de relacionamento na contemporaneidade. A peƧa tambĆ©m conta com uma componente performativa de danƧa, trabalhada a partir de elementos do funk brasileiro. O relatório detalha as fases de pesquisa, criação coletiva e desenvolvimento estĆ©tico. A proposta visa um diĆ”logo entre a tradição filosófica, a literatura afro-brasileira contemporĆ¢nea e as culturas urbanas, oferecendo uma leitura inovadora e crĆtica das relaƧƵes humanas e afetivas na sociedade atual.
ABSTRACT - This report presents the process of developing and creating a theatrical performance whose dramaturgy was constructed from the combination of the Myth of Aristophanes, taken from Platoās The Symposium , with the short story āLuamandaā, present in the book Olhos DāĆ”gua by the Brazilian writer Conceição Evaristo, and a component conceived from the personal experiences of the two playwrights involved in the process. One of the central objectives of the project is to explore the concept of love, fragmentation and the search for completeness, present in the Platonic myth, in light of the complexities of love, identity and the impacts of the dynamics established with the advent of dating apps in contemporary times. The play also has a performative dance component, based on elements of Brazilian funk. The report details the phases of research, collective creation and aesthetic development. The proposal aims at a dialogue between the philosophical tradition, contemporary Afro-Brazilian literature and urban cultures, offering an innovative and critical reading of human and affective relationships in todayās society.
ABSTRACT - This report presents the process of developing and creating a theatrical performance whose dramaturgy was constructed from the combination of the Myth of Aristophanes, taken from Platoās The Symposium , with the short story āLuamandaā, present in the book Olhos DāĆ”gua by the Brazilian writer Conceição Evaristo, and a component conceived from the personal experiences of the two playwrights involved in the process. One of the central objectives of the project is to explore the concept of love, fragmentation and the search for completeness, present in the Platonic myth, in light of the complexities of love, identity and the impacts of the dynamics established with the advent of dating apps in contemporary times. The play also has a performative dance component, based on elements of Brazilian funk. The report details the phases of research, collective creation and aesthetic development. The proposal aims at a dialogue between the philosophical tradition, contemporary Afro-Brazilian literature and urban cultures, offering an innovative and critical reading of human and affective relationships in todayās society.
Description
Trabalho de Projeto submetido à Escola Superior de Teatro e Cinema para cumprimento dos requisitos necessÔrios à obtenção do grau de Mestre em Teatro - especialização em Artes Performativas
Keywords
Amor Aplicativos de relacionamento Funk brasileiro Artes performativas Relacionamentos Love Dating apps Brazilian funk Performing arts Relationships
Citation
Publisher
Instituto PolitƩcnico de Lisboa - Escola Superior de Teatro e Cinema