Publication
The end has no end: framing death and the phenomenology of dying in documentary cinema
| dc.contributor.author | Pereira, Carlos | |
| dc.date.accessioned | 2017-06-20T11:59:45Z | |
| dc.date.available | 2017-06-20T11:59:45Z | |
| dc.date.issued | 2017-05 | |
| dc.description.abstract | In a world denying and deconstructing mortality, the intersection between the phenomenology of image and death and the phenomenology of time consciousness seems to call for new attention in contemporary media culture. The recurrent motif of death in fictive film narratives is opposed to its far more complex and controversial counterpart in documentary cinema. | pt_PT |
| dc.description.version | info:eu-repo/semantics/publishedVersion | pt_PT |
| dc.identifier.isbn | 978-972-9370-25-0 | |
| dc.identifier.uri | http://hdl.handle.net/10400.21/7186 | |
| dc.language.iso | eng | pt_PT |
| dc.publisher | Instituto Politécnico de Lisboa - Escola Superior de Teatro e Cinema | pt_PT |
| dc.relation.publisherversion | https://editora.estc.ipl.pt/the_end_hes_no_end/ | pt_PT |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | pt_PT |
| dc.subject | Death | pt_PT |
| dc.subject | Dying | pt_PT |
| dc.subject | Film phenomenology | pt_PT |
| dc.title | The end has no end: framing death and the phenomenology of dying in documentary cinema | pt_PT |
| dc.type | book | |
| dspace.entity.type | Publication | |
| oaire.citation.conferencePlace | Amadora | pt_PT |
| oaire.citation.title | The end has no end: framing death and the phenomenology of dying in documentary cinema | pt_PT |
| rcaap.rights | openAccess | pt_PT |
| rcaap.type | book | pt_PT |