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The end has no end: framing death and the phenomenology of dying in documentary cinema

dc.contributor.authorPereira, Carlos
dc.date.accessioned2017-06-20T11:59:45Z
dc.date.available2017-06-20T11:59:45Z
dc.date.issued2017-05
dc.description.abstractIn a world denying and deconstructing mortality, the intersection between the phenomenology of image and death and the phenomenology of time consciousness seems to call for new attention in contemporary media culture. The recurrent motif of death in fictive film narratives is opposed to its far more complex and controversial counterpart in documentary cinema.pt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.isbn978-972-9370-25-0
dc.identifier.urihttp://hdl.handle.net/10400.21/7186
dc.language.isoengpt_PT
dc.publisherInstituto Politécnico de Lisboa - Escola Superior de Teatro e Cinemapt_PT
dc.relation.publisherversionhttps://editora.estc.ipl.pt/the_end_hes_no_end/pt_PT
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/pt_PT
dc.subjectDeathpt_PT
dc.subjectDyingpt_PT
dc.subjectFilm phenomenologypt_PT
dc.titleThe end has no end: framing death and the phenomenology of dying in documentary cinemapt_PT
dc.typebook
dspace.entity.typePublication
oaire.citation.conferencePlaceAmadorapt_PT
oaire.citation.titleThe end has no end: framing death and the phenomenology of dying in documentary cinemapt_PT
rcaap.rightsopenAccesspt_PT
rcaap.typebookpt_PT

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