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Autores
Orientador(es)
Resumo(s)
In a world denying and deconstructing mortality, the intersection between the phenomenology of image and death and the phenomenology of time consciousness seems to call for new attention in contemporary media culture. The recurrent motif of death in fictive film narratives is opposed to its far more complex and controversial counterpart in documentary cinema.
Descrição
Palavras-chave
Death Dying Film phenomenology
Contexto Educativo
Citação
Editora
Instituto Politécnico de Lisboa - Escola Superior de Teatro e Cinema