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Authors
Advisor(s)
Abstract(s)
A Tese do meu Mestrado foi um Projecto Artístico (PA) de um programa de música coral, montado, preparado, organizado, ensaiado e apresentado em concerto. As peças que escolhi foram escritas por compositores dos séculos XX e XXI: Mario Castelnuovo-Tedesco, Federic Mompou, Carlos Guastavino, Joly Braga Santos, Javier Busto e Tiago Marques (eu próprio). A característica que mais une estas peças, no entanto, é o serem escritas sobre obras de poetas espanhóis: Federico García Lorca, San Juan de la Cruz, Rafael Alberti, Francisco Pino, Antonio Machado e alguns poetas anónimos do Renascimento. O coro que dirigi é um coro de alunos da Escola de Música do Conservatório Nacional (EMCN), Musaico, que eu criei há três anos com alunos seleccionados. Ao longo desses anos tenho trabalhado com este coro, desenvolvendo o som, a flexibilidade artística e a musicalidade.
Este relatório debruça-se acima de tudo sobre as obras, apresentando uma análise musical focada na sua estrutura e na relação entre a música e o texto. Para além disso, também são mencionados o contexto composicional, a harmonia e a execução quando mais informação é necessária.
ABSTRACT - My master’s degree thesis was a complete project of a choral music program, put together, prepared, organized, rehearsed and performed in concert. The musical pieces I chose are all written by composers of the 20th and 21st centuries: Mario Castelnuovo-Tedesco, Federic Mompou, Carlos Guastavino, Joly Braga Santos, Javier Busto and Tiago Marques (myself). The main thing they have in common, however, is that they are written on works by Spanish poets: Federico García Lorca, San Juan de la Cruz, Rafael Alberti, Francisco Pino, Antonio Machado and a couple of anonymous ones from the renaissance period. The choir I conducted is a music school choir of selected students, Musaico, which I created three years ago. During these years I have been working with it, developing its sound, artistic flexibility and musicality. This report mainly addresses the musical pieces one by one, offering a musical analysis focused on their structure and the relationship between music and text. In addition, compositional context, harmony and performance are mentioned as well when there is a need to provide more information.
ABSTRACT - My master’s degree thesis was a complete project of a choral music program, put together, prepared, organized, rehearsed and performed in concert. The musical pieces I chose are all written by composers of the 20th and 21st centuries: Mario Castelnuovo-Tedesco, Federic Mompou, Carlos Guastavino, Joly Braga Santos, Javier Busto and Tiago Marques (myself). The main thing they have in common, however, is that they are written on works by Spanish poets: Federico García Lorca, San Juan de la Cruz, Rafael Alberti, Francisco Pino, Antonio Machado and a couple of anonymous ones from the renaissance period. The choir I conducted is a music school choir of selected students, Musaico, which I created three years ago. During these years I have been working with it, developing its sound, artistic flexibility and musicality. This report mainly addresses the musical pieces one by one, offering a musical analysis focused on their structure and the relationship between music and text. In addition, compositional context, harmony and performance are mentioned as well when there is a need to provide more information.
Description
Mestrado em Música – Área de Direção Coral
Keywords
Direção coral Escola de Música do Conservatório Nacional Coro Musaico
Citation
Publisher
Instituto Politécnico de Lisboa - Escola Superior de Música de Lisboa