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Advisor(s)
Abstract(s)
The aim of this article is to analyze a very coherent nucleus of photographs by Nuno Matos, where the common denominators pass through the woman's body freed or subjected, who hides/shows in a work of “chiaroscuro,” or rather, in an evocative dimness that appeals to the memory of desire and whose reconstruction is merely pointed out. Additionally, this article shows a reflection of Nuno Matos’s influences during pandemic days, with the photographer exploring the shadows and light in the perception of the image of the woman's body.
Description
Keywords
Woman's body Pandemic days Nuno Matos Photographs
Citation
Publisher
Common Ground Research Networks