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Atopos: se abríssemos pessoas encontraríamos paisagens
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Advisor(s)
Abstract(s)
Este projeto nasceu com a vontade de dois criativos, dois amigos responderem a algumas questões e de colocarem ainda mais questões em cima da mesa. Existe uma urgência em voltar a conectar e a valorizar o corpo, como mais que um meio de executar tarefas, assim como olhar para o papel da sexualidade na sociedade. Atopos, foi o nome escolhido para a criação coreográfica que surgiu deste desafio. Dito por Roland Barthes, é a figura que o ser apaixonado faz do ser que ama, é, portanto, falar em amar e ainda assim fazer do outro algo que não é exatamente. Ninguém está livre do lugar que para si é criado. No entanto, este relatório pretende ser uma reflexão dos primeiros passos, quase como um ritual, da minha prática criativa, ou daquilo que poderá ser uma metodologia de trabalho, onde me disponho a perceber o lugar das minhas motivações e se elas poderão ser um método de rastrear conceitos pertinentes para serem um objeto artístico, bem como o que defendo e está por detrás das decisões que tomo para o meu processo criativo. Na elaboração destas questões, desde o trabalho de mesa, à criação e estreia, é traçado um fio condutor, onde há apenas inícios de uma formalização de um pensamento, sem que concretizações factuais fechadas sejam feitas.
ABSTRACT- This project was born from the desire of two creatives, two friends, to answer some questions while placing even more on the table. There is an urgency to reconnect and value the body as more than just a means of carrying out tasks, as well as to examine the role of sexuality in society. Atopos was the name chosen for the choreographic creation that emerged from this challenge. As Roland Barthes describes, it is the figure the lover creates of the one they love. Thus, it is about speaking of love and yet making the other into something they are not entirely. No one is free from the place that is created for them. However, this report aims to reflect on the first steps, almost like a ritual, of my creative practice, or what could become a working methodology. I aim to understand the place of my motivations and whether they could serve as a method for tracing relevant concepts to become an artistic object, as well as what I stand for and what lies behind the decisions I make in my creative process. In shaping these questions—from the research phase to creation and performance—there is a guiding thread where the beginnings of formalizing a thought are outlined, without reaching any definitive conclusions.
ABSTRACT- This project was born from the desire of two creatives, two friends, to answer some questions while placing even more on the table. There is an urgency to reconnect and value the body as more than just a means of carrying out tasks, as well as to examine the role of sexuality in society. Atopos was the name chosen for the choreographic creation that emerged from this challenge. As Roland Barthes describes, it is the figure the lover creates of the one they love. Thus, it is about speaking of love and yet making the other into something they are not entirely. No one is free from the place that is created for them. However, this report aims to reflect on the first steps, almost like a ritual, of my creative practice, or what could become a working methodology. I aim to understand the place of my motivations and whether they could serve as a method for tracing relevant concepts to become an artistic object, as well as what I stand for and what lies behind the decisions I make in my creative process. In shaping these questions—from the research phase to creation and performance—there is a guiding thread where the beginnings of formalizing a thought are outlined, without reaching any definitive conclusions.
Description
Keywords
Corpo Cocriação Metodologia Motivações Paisagem Body Cocreation; Methodology Motivations Landscape
Citation
Santos, M.R. (2024). Atopos: Se abríssemos pessoas encontraríamos paisagens. [Dissertação de Mestrado, Escola Superior de Dança]. Repositório Científico do Instituto Politécnico de Lisboa. http://hdl.handle.net/10400.21/21670
Publisher
Escola Superior de Dança, Repositório Científico do Instituto Politécnico de Lisboa