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O primado da ambivalência corpórea: Eraserhead como dupla alegoria

dc.contributor.authorChinita, Fátima
dc.date.accessioned2016-08-24T09:46:04Z
dc.date.available2016-08-24T09:46:04Z
dc.date.issued2016-07
dc.description.abstractConsidering the film Eraserhead (David Lynch, 1977) an ode to the body in both its outward and inward manifestations, this article compares the body as it is represented in the film, through the physical and psychical depiction of characters, with the cinematic medium and its conventions. The article presents Eraserhead as having three levels of meaning, all of them connected to the corporeal: one literal and two figurative. These latter two are clearly allegorical and, ultimately, one of them is literal and the other two are figural. In the most complex of them all, which presents the film in general as an artistic body, Eraserhead can be understood as an allegory of spectatorship.pt_PT
dc.identifier.issnISSN 2182-2158
dc.identifier.urihttp://hdl.handle.net/10400.21/6404
dc.language.isoporpt_PT
dc.peerreviewedyespt_PT
dc.publisherDebatevolutionpt_PT
dc.subjectPsychologypt_PT
dc.subjectAestheticspt_PT
dc.subjectFilm studiespt_PT
dc.subjectFilm analysispt_PT
dc.subjectAllegorypt_PT
dc.subjectCinemapt_PT
dc.subjectFilm aestheticspt_PT
dc.subjectDavid Lynchpt_PT
dc.subjectFilm and media studiespt_PT
dc.subjectCinema studiespt_PT
dc.subjectMetacinemapt_PT
dc.titleO primado da ambivalência corpórea: Eraserhead como dupla alegoriapt_PT
dc.title.alternativeCorporeal ambivalence: Eraserhead as double allegorypt_PT
dc.typepreprint
dspace.entity.typePublication
oaire.citation.conferencePlaceAvancapt_PT
oaire.citation.titleInternational Journal of Cinema (special issue on The Cinema and the Body)pt_PT
person.familyNameMata
person.givenNameMaria
person.identifier.orcid0000-0001-7494-1039
rcaap.rightsopenAccesspt_PT
rcaap.typepreprintpt_PT
relation.isAuthorOfPublication4e5f0177-6b2a-4c33-8259-2ff05d9c945a
relation.isAuthorOfPublication.latestForDiscovery4e5f0177-6b2a-4c33-8259-2ff05d9c945a

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