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Uma arquitetura coreográfica e performativa na intermedialidade de Body-Buildings
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Abstract(s)
O filme de Henrique Pina Body-Buildings (2023) coloca em diálogo a dança, a arquitetura e o cinema, ao apresentar seis obras performáticas de seis coreógrafos diferentes que decorrem em seis obras de arquitetura distintas em Portugal.2 Este filme de natureza intermedial apresenta-se em oposição à ideia do mero registo da peça de dança filmada em espaços arquitetónicos. A câmara cinematográfica de Pina entra em diálogo com o movimento dos corpos e com a arquitetura, invocando outras perspetivas/ visões/ planos, que seriam impossíveis de concretizar na vivência quotidiana do espaço arquitetónico.
Body-Buildings não celebra apenas o encontro direto entre as artes performativas e a arquitetura, mas também constrói e abre as vias respiratórias a um espaço fértil e híbrido que nos transporta para o abismo de novas possibilidades estéticas e sensoriais. A intermedialidade presente nesta obra não é apenas uma ferramenta de experimentação, mas encerra em si uma força transformadora que procura redefinir a forma como se entende e experiência o espaço e a arte.
ABSTRACT - Henrique Pina's film Body-Buildings (2023) connects dance, architecture and cinema by presenting six performance pieces authored by six different choreographers taking place in six different architectural works in Portugal. The film is an intermedial opus, richer than the mere recording dance pieces filmed in architectural spaces. Pina's cinematic camera causes a dialogue between the movement of bodies and architecture, invoking other perspectives/views/strata that would be impossible to accomplish in the everyday experience of the architectural space. Thus, Body-Buildings not only celebrates the direct encounter between the performing arts and architecture, but it also builds and opens the airways to a fertile hybrid space that plunges us into the abyss of new aesthetic and sensory possibilities. The intermediality present in this work is understood not as a tool for experimentation, but rather as a transformative force that seeks to redefine the way space and art are understood and experienced.
ABSTRACT - Henrique Pina's film Body-Buildings (2023) connects dance, architecture and cinema by presenting six performance pieces authored by six different choreographers taking place in six different architectural works in Portugal. The film is an intermedial opus, richer than the mere recording dance pieces filmed in architectural spaces. Pina's cinematic camera causes a dialogue between the movement of bodies and architecture, invoking other perspectives/views/strata that would be impossible to accomplish in the everyday experience of the architectural space. Thus, Body-Buildings not only celebrates the direct encounter between the performing arts and architecture, but it also builds and opens the airways to a fertile hybrid space that plunges us into the abyss of new aesthetic and sensory possibilities. The intermediality present in this work is understood not as a tool for experimentation, but rather as a transformative force that seeks to redefine the way space and art are understood and experienced.
Description
Keywords
Intermedialidade Dança Arquitetura Cinema Body-Buildings Intermediality Dance Architecture Film
Citation
Publisher
Instituto Politécnico de Lisboa