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Advisor(s)
Abstract(s)
O presente trabalho procura situar temporalmente o fazer musical, trazendo questões atuais
sobre o mercado e as formas de consumo de música. Esse olhar contemporâneo nos aponta
para novas necessidades no processo de formação e na expressão do músico, que é
confrontado pelo universo audiovisual (concertos e vídeos online). Por isso, compreendendo o
músico enquanto performer, levanto a hipótese de ser ou não a música uma arte performativa,
e questionando assim, a numeração das artes.
Enquanto arte performativa, incluímos então como parte do pensamento do músico, um olhar
artístico, que dá importância à cena. Para além dos demais elementos que podem ser
incorporados a cena, apontamos o corpo do músico como principal elemento cênico e o
exploramos como principal agente comunicador de ideias.
Trazemos o conceito de obra de arte total para fazer do concerto, onde supostamente teríamos
o estímulo sonoro como único foco, um espetáculo múltiplo, híbrido de linguagens, o que
exige do músico um olhar mais amplo para as diferentes formas de arte e faz da criação livre
de amarras das classificações das artes de acordo com as diferentes linguagens.
Por último, apresento o meu espetáculo, “para onde ela me leva” onde, baseado na
bibliografia apresentada e em outros processos de auto investigação, descrevo como apliquei
os conceitos apresentados na elaboração e criação de uma obra de arte total em música.
ABSTRACT - The present work seeks to temporarily situate the musical making, bringing current questions about the market and the ways of music consumption. This contemporary look points us to new needs in the process of formation and expression of the musician, who is confronted by the audiovisual universe (concerts and online videos). Therefore, understanding the musician as a performer, I raise the hypothesis of whether or not music is a performative art, and thus questioning the numbering of the arts. As performative art, we then include as part of the musician's thought an artistic look that gives importance to the scene. Beyond the other elements that can be incorporated into the scene, we point out the musician's body as the main scenic element and explore him as the main communicator of ideas. We bring the concept of work of art in total to make the concert, where we would supposedly have the sound stimulus as the sole focus, a multiple show, hybrid of languages, which demands of the musician a wider look at the different forms of art and makes the creation free from moorings of the classifications of the arts according to the different languages. Finally, I present my show, "where it leads me" where, based on the bibliography presented and other processes of self-investigation, I describe how I applied the concepts presented in the elaboration and creation of a total work of art in music.
ABSTRACT - The present work seeks to temporarily situate the musical making, bringing current questions about the market and the ways of music consumption. This contemporary look points us to new needs in the process of formation and expression of the musician, who is confronted by the audiovisual universe (concerts and online videos). Therefore, understanding the musician as a performer, I raise the hypothesis of whether or not music is a performative art, and thus questioning the numbering of the arts. As performative art, we then include as part of the musician's thought an artistic look that gives importance to the scene. Beyond the other elements that can be incorporated into the scene, we point out the musician's body as the main scenic element and explore him as the main communicator of ideas. We bring the concept of work of art in total to make the concert, where we would supposedly have the sound stimulus as the sole focus, a multiple show, hybrid of languages, which demands of the musician a wider look at the different forms of art and makes the creation free from moorings of the classifications of the arts according to the different languages. Finally, I present my show, "where it leads me" where, based on the bibliography presented and other processes of self-investigation, I describe how I applied the concepts presented in the elaboration and creation of a total work of art in music.
Description
Relatório - Mestrado em Música
Keywords
Performance Interartes Cena Interart Scene
Citation
Publisher
Instituto Politécnico de Lisboa - Escola Superior de Música de Lisboa