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Jam sessions in Manhattan: scene, ritual and race

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This paper addresses the relations between jazz jam sessions in Manhattan and the concepts of Scene, Ritual and Race. These issues emerged during research that, from an ethnomusicological perspective, focused on the role of jam sessions in Manhattan as a privileged context for learning the performative styles of jazz, the development of the creative process, the construction of professional networks and the establishment of the status of musicians. Starting from the analysis of five venues of jazz performance in Manhattan, New York, I demonstrate the importance of participating in jam sessions in the professional careers of jazz musicians by examining their relationship with this performative occasion.

Descrição

Palavras-chave

Jazz Jam session Ritual Race Performance

Contexto Educativo

Citação

Pinheiro, Ricardo. 2014. “Jam Sessions in Manhattan: Scene, Ritual and Race”. In Music and shared imaginaries: nationalisms, communities, and choral singing – Proceedings, Eds. Maria do Rosário Pestana e Helena Marinho: 365-374. Edições Ex-Libris (chancela Sítio do Livro) (ISBN: 978-989-8714-41-1).

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Edições Ex-Libris (chancela Sítio do Livro)

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