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Abstract(s)
A presente tese de Mestrado reflete sobre um projeto prático desenvolvido na área da Dança,
e incide sobre o meu processo coreográfico do espetáculo de dança O Peso de Uma Semente
que estreou a 14 e 15 de Fevereiro de 2013, no Centro Cultural de Vila Flor em Guimarães,
no âmbito do Festival GUIDANCE, e teve apresentações dias 1, 2, 3 e 5 de Março de 2013,
no Teatro Maria Matos, em Lisboa. Este projeto trata-se de um solo de dança interpretado por mim, com o espaço sonoro de Simão Costa, cenários e figurinos de Marta Carreiras, desenho de luz de Cláudia
Rodrigues e dramaturgia de Manuela Pedroso. Devido à natureza desta temática, resolvi trabalhar em processo com jovens locais (de Guimarães, e de Lisboa), como forma de receber e partilhar conceitos em exploração ligados à ideia de esforço e de origem de movimento. Estes jovens fizeram o prólogo da peça, nas suas respetivas cidades. Ao iniciar este processo de trabalho, tive necessidade de cingir a pesquisa apenas ao prólogo, uma vez que, como coreógrafa, intérprete e produtora, senti a necessidade de fazer
uma análise isenta e com a devida distância do objeto criado. Assim, apesar de também estar envolvida em todo processo, foco a pesquisa nos aspetos metodológicos do prólogo, para que a tese seja objetiva. Desde modo, restrinjo a pesquisa a estes dois grupos de jovens, com características diferentes: duas localizações geográficas distintas (ambas dentro de um contexto urbano), e dois tipos diferentes de vivência com a dança (uma em formato amador, e outra como formação académica profissional). Pretendo com esta tese refletir sobre o meu processo criativo, incidindo sobretudo na metodologia de trabalho e nos eventos que foram acontecendo durante os ensaios. Este processo tem passado pelas várias componentes que compõem as artes performativas – coreografia, interpretação, partilha direta do trabalho com a comunidade,
produção. É por isso muito significativo analisar O Peso de Uma Semente de um ponto de vista dos princípios inerentes, e do ponto de vista do prólogo, que formaliza e sintetiza estas componentes descritas, bem como os meus últimos quinze anos de trabalho.
ABSTRACT - This Master's thesis reflects on a practical project developed in the dance field, and focuses on my choreographic process of the dance piece The Weight of a Seed , which premiered on 14 and 15 February 2013, at Centro Cultural Vila Flor in Guimarães, under GUIDANCE Festival, and had further presentations 1st , 2nd , 3rd and 5th of March 2013, at Teatro Maria Matos, in Lisbon. This project is a solo dance performed by myself, with original music by Simon Costa, scenery and costumes by Marta Carreiras, light design by Claudia Rodrigues and dramaturgy by Manuela Pedroso. Due to the nature of this theme, I decided to work in process with local youth (from Guimarães and from Lisbon), in order to receive and share concepts linked to the idea of effort and origin of movement. These young people made the prologue of the play in their respective cities. When starting this process, I had the need to stick the research only the prologue, since, as a choreographer, performer and producer, I felt the necessity to make an exempt analysis and proper distance from the created object. Thus, despite being involved in the entire process, the research is focused on methodological aspects of the prologue, to make this thesis objective. In this way, I restrict the search to these two groups of young people, with different features: two different geographical locations (both within an urban context), and two different types of experience with dance (one on amateur format, and other academically professional). I intend with this thesis to reflect on my creative process, focusing particularly on the work methodology and in what was happening during rehearsals. This process has gone through several components that make up the performing arts – choreography, interpretation, sharing direct work with the community, production. It is therefore very significant to analyze The Weight of a Seed from a point of view of the principles involved, and from the standpoint of the prologue, which formalizes and summarizes these components described, as well as my last fifteen years of work.
ABSTRACT - This Master's thesis reflects on a practical project developed in the dance field, and focuses on my choreographic process of the dance piece The Weight of a Seed , which premiered on 14 and 15 February 2013, at Centro Cultural Vila Flor in Guimarães, under GUIDANCE Festival, and had further presentations 1st , 2nd , 3rd and 5th of March 2013, at Teatro Maria Matos, in Lisbon. This project is a solo dance performed by myself, with original music by Simon Costa, scenery and costumes by Marta Carreiras, light design by Claudia Rodrigues and dramaturgy by Manuela Pedroso. Due to the nature of this theme, I decided to work in process with local youth (from Guimarães and from Lisbon), in order to receive and share concepts linked to the idea of effort and origin of movement. These young people made the prologue of the play in their respective cities. When starting this process, I had the need to stick the research only the prologue, since, as a choreographer, performer and producer, I felt the necessity to make an exempt analysis and proper distance from the created object. Thus, despite being involved in the entire process, the research is focused on methodological aspects of the prologue, to make this thesis objective. In this way, I restrict the search to these two groups of young people, with different features: two different geographical locations (both within an urban context), and two different types of experience with dance (one on amateur format, and other academically professional). I intend with this thesis to reflect on my creative process, focusing particularly on the work methodology and in what was happening during rehearsals. This process has gone through several components that make up the performing arts – choreography, interpretation, sharing direct work with the community, production. It is therefore very significant to analyze The Weight of a Seed from a point of view of the principles involved, and from the standpoint of the prologue, which formalizes and summarizes these components described, as well as my last fifteen years of work.
Description
Trabalho de Projeto submetido à Escola Superior de Teatro e Cinema para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Teatro - especialização em Artes Performativas – Teatro do Movimento.
Keywords
Esforço Ecologia de performance Improvisação estruturada Métodos de composição Dança Effort Performance ecology Structured improvisation Tuning Composition methods
Citation
Publisher
Instituto Politécnico de Lisboa - Escola Superior de Teatro e Cinema