Loading...
Publication
O filme ensaio como pensamento poético: um estudo sobre Las poetas visitan a Juana Bignozzi
| Name: | Description: | Size: | Format: | |
|---|---|---|---|---|
| 1.85 MB | Adobe PDF |
Authors
Advisor(s)
Abstract(s)
Esta dissertação investiga o filme ensaio contemporâneo e suas intersecções com a autorrepresentação, o metacinema, a performatividade e a poesia a partir do filme argentino Las Poetas visitan a Juana Bignozzi (Mercedes Halfon e Laura Citarella, 2019). Considerando a dificuldade de sistematização do ensaio fílmico, a pesquisa adota uma abordagem teórica, qualitativa e interpretativa, pautada pela análise fílmica e pelo diálogo com a teoria a respeito do ensaio, tanto em sua forma literária quanto cinematográfica, proposta por autores como Theodor W. Adorno, Timothy Corrigan, Laura Rascaroli, Gerhard Richter, Max Bense, entre outros. A dissertação acompanha a cronologia do filme, observando de que modo sua estrutura se constrói a partir da experimentação e da busca por uma forma, características típicas do pensamento ensaístico. Ao longo do percurso, a obra desloca-se de uma tentativa inicial de abordar a vida de Juana Bignozzi para tornar-se um ensaio sobre o processo artístico, marcado pelo atravessamento do pensamento poético. Propõe-se que, mais do que um componente formalístico de estilo, o poético constitui-se como elemento essencial do filme ensaio, permitindo-lhe ultrapassar o discurso puramente argumentativo e instaurar modos de pensamento que combinam subjetividade e crítica. Las Poetas visitan a Juana Bignozzi configura-se, assim, como um exemplo singular de ensaio cinematográfico, que reinscreve a tradição do gênero em novas possibilidades formais, ao mesmo tempo em que contribui para as discussões contemporâneas sobre cinema e literatura.
ABSTRACT - This dissertation investigates contemporary essay film and its intersections with self-representation, metacinema, performativity, and poetry based on the Argentinian film Las Poetas visitan a Juana Bignozzi (Mercedes Halfon and Laura Citarella, 2019). Considering the difficulty of the nature of film essays, this research adopts a theoretical, qualitative, and interpretive approach, guided by film analysis in dialogue with the theory of the essay, both in its literary and cinematic forms, as proposed by authors such as Theodor W. Adorno, Timothy Corrigan, Laura Rascaroli, Gerhard Richter, Max Bense, among others. The dissertation follows the film’s chronology, analyzing how its structure is built through experimentation and the search for form, features characteristic of the essayistic thought process. Throughout its trajectory, the film shifts from an initial attempt to address the life of Juana Bignozzi to become an essay on the artistic process, marked by the presence of poetic thinking. It is proposed that, rather than a mere stylistic component of the form, the poetic constitutes an essential element of the essay film, allowing it to transcend the purely argumentative discourse and establish modes of thinking that combine subjectivity and criticism. Las Poetas visitan a Juana Bignozzi thus emerges as a singular case of essay film, reinscribing the tradition of the genre into new formal possibilities while contributing to contemporary debates on cinema and literature.
ABSTRACT - This dissertation investigates contemporary essay film and its intersections with self-representation, metacinema, performativity, and poetry based on the Argentinian film Las Poetas visitan a Juana Bignozzi (Mercedes Halfon and Laura Citarella, 2019). Considering the difficulty of the nature of film essays, this research adopts a theoretical, qualitative, and interpretive approach, guided by film analysis in dialogue with the theory of the essay, both in its literary and cinematic forms, as proposed by authors such as Theodor W. Adorno, Timothy Corrigan, Laura Rascaroli, Gerhard Richter, Max Bense, among others. The dissertation follows the film’s chronology, analyzing how its structure is built through experimentation and the search for form, features characteristic of the essayistic thought process. Throughout its trajectory, the film shifts from an initial attempt to address the life of Juana Bignozzi to become an essay on the artistic process, marked by the presence of poetic thinking. It is proposed that, rather than a mere stylistic component of the form, the poetic constitutes an essential element of the essay film, allowing it to transcend the purely argumentative discourse and establish modes of thinking that combine subjectivity and criticism. Las Poetas visitan a Juana Bignozzi thus emerges as a singular case of essay film, reinscribing the tradition of the genre into new formal possibilities while contributing to contemporary debates on cinema and literature.
Description
Dissertação submetida à Escola Superior de Teatro e Cinema para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Desenvolvimento de Projeto Cinematográfico - especialização em Narrativas Cinematográficas
Keywords
Filme ensaio Poético Juana Bignozzi Cinema argentino Processo criativo Essay film Poetic Argentinian cinema Creative process