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Orientador(es)
Resumo(s)
In this paper we tried to define and discuss the concept of public art in light of the theoretical
work that justified the creation of this subject, with reference to the main arguments that have
characterized the discussion on the topic. To that end, we present a model based on a set of aesthetic and
conceptual transformation that occurred in art from the second half of the twentieth century onwards,
as far as the plastic formulation, and the perspective of a new understanding of the Spectator place are
concerned. This also implies the recognition of old values rejection that characterized the traditional
public monument and the failure of its own compositional structure. Thus it is argued that public
art is inseparable from the traditional monument crisis, in that it proposes a rupture with this historical
context, promoting a new awareness of its form and function. For that purpose we present several artistic
projects that illustrate the theoretical and practical implications of this concept.
Descrição
Palavras-chave
Arte pública Public art
Contexto Educativo
Citação
Regatão, J. P. (2015). Do Monumento Comemorativo à Arte Pública. Convocarte, n.º1, 66-75.