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Advisor(s)
Abstract(s)
As questões formais e metodológicas, relativas à criação e à participação de públicos no fenómeno teatral, assumem um importante destaque na conceptualização das práticas de Teatro e Comunidade, visto constituírem elementos de diferenciação entre este tipo de teatro e o outro tipo de teatro, o dito teatro convencional.
Deste modo, a presente dissertação propõe-se a identificar e a analisar as características de criação e participação de públicos presentes nas diferentes dinâmicas teatrais vividas em Moçambique desde 1975, com especial atenção na década de 2010 a 2020. A partir de uma viagem temporal, que consiste em localizar os diferentes estilos, géneros e intencionalidades que o teatro moçambicano foi assumindo ao longo do tempo, procura-se compreender as marcas do Teatro e Comunidade presentes nas suas diversas maneiras de criar e de chegar ao público.
Este estudo desafia-se ainda a uma tentativa de sistematização das manifestações teatrais ao longo dos 45 anos de independência, em resposta à escassez de documentos e estudos académicos sobre esta área, que se verifica no país.
ABSTRACT - Formal and methodological issues relating to the creation and participation of audiences in the theatrical phenomenon are important in the conceptualization of Theater and Community practices, as they constitute differentiating elements between this type of theater and the other type of theater, the conventional or the classical theater. Thus, this dissertation aims to identify and analyze the characteristics of creation and participation of audiences present in the different theatrical dynamics experienced in Mozambique since 1975, with special attention to the decade from 2010 to 2020. From a temporal journey, which consists of locating the different styles, genres and intentions that Mozambican theater has assumed over time, we seek to understand the nuances of Theater and Community, present in its various ways of creating and reaching the public. This study also challenges an attempt to systematize theatrical events over the 45 years of independence, in response to the scarcity of documents and academic studies in this area, which exists in the country.
ABSTRACT - Formal and methodological issues relating to the creation and participation of audiences in the theatrical phenomenon are important in the conceptualization of Theater and Community practices, as they constitute differentiating elements between this type of theater and the other type of theater, the conventional or the classical theater. Thus, this dissertation aims to identify and analyze the characteristics of creation and participation of audiences present in the different theatrical dynamics experienced in Mozambique since 1975, with special attention to the decade from 2010 to 2020. From a temporal journey, which consists of locating the different styles, genres and intentions that Mozambican theater has assumed over time, we seek to understand the nuances of Theater and Community, present in its various ways of creating and reaching the public. This study also challenges an attempt to systematize theatrical events over the 45 years of independence, in response to the scarcity of documents and academic studies in this area, which exists in the country.
Description
Dissertação submetida à Escola Superior de Teatro e Cinema para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Teatro - especialização em Teatro e Comunidade
Keywords
Teatro e comunidade Criação artística Participação Público Theater and community Creation Participation Audiences
Citation
Publisher
Instituto Politécnico de Lisboa - Escola Superior de Teatro e Cinema