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Abstract(s)
Filipe Rosa de Carvalho (1892 – 1980) foi organista e compositor, professor de órgão, organista da Emissora Nacional e da Igreja de N.S. de Fátima.
Obteve o diploma da Academia Filarmónica de Bolonha em 1914, laureando-se em órgão com a mais alta classificação. Em Portugal ocupou o cargo de professor de órgão no Conservatório Nacional entre 1935 e 1950, onde desenvolveu uma intensa actividade pedagógica que contribui para a formação de uma nova geração de organistas portugueses.
Desenvolveu projectos para dotar as igrejas portuguesas de instrumentos modernos. Em 1938 inaugurou o órgão da firma Tamburini da Igreja de N. Sra. de Fátima de Lisboa, onde desempenhou as funções de organista. Inaugurou com um concerto a 11 de Outubro de 1952 o órgão Ruffatti da Basílica do Santuário de N. Sra. de Fátima, em Fátima. Manteve uma intensa actividade como compositor e organista de concerto.
No meu trabalho, pretendo conhecer mais aprofundadamente e sistematicamente o trabalho desenvolvido por este organista, pioneiro na construção da moderna prática do órgão em Portugal, através de pesquisa documental feita nos arquivos da Direcção de Serviços da Documentação, no Arquivo da Secretaria Geral do Ministério da Educação e Ciência, no Arquivo da Rádio e Televisão de Portugal e a partir do Espólio Musical de Filipe Rosa de Carvalho (que se encontra na Biblioteca Nacional).
ABSTRACT - Filipe Rosa de Carvalho (1892–1980) was an organist and composer, organ teacher, and organist of the Emissora Nacional and the Nossa Senhora de Fátima Church. He rendered higher examination studies in organ at the Philharmonic Academy of Bologna, place where has obtained the university degree in 1914 — graduated major in organ. In Portugal to fill the position of organ teacher at the National Conservatory between 1935 and 1950, where developed an active pedagogical activity which contributed to the schooling of a new generation of Portuguese organists. He developed projects to equip the Portuguese churches with modern instruments and, in 1938, inaugurated the Tamburini enterprise organ at the Nossa Senhora de Fátima Church of Lisbon, where served as organist. In Fátima, he inaugurated the Ruffatti organ of the Basílica do Santuário de Nossa Senhora de Fátima, with a concert on 11 October 1952. In 1938, Luis de Freitas Branco writes the Portuguese Rhapsody for organ (originally Rhapsody on Portuguese Popular Songs), dedicated to Filipe Rosa de Carvalho and premiered, in 1938, at the Fátima Church, in Lisbon. He kept an active activity as a composer and concert organist. It is apparent the organist's musical diversity and eclecticism activity, inescapable figure in the modern Portuguese organ panorama, which merits a most comprehensive study, and which I propose to produce in the present work.
ABSTRACT - Filipe Rosa de Carvalho (1892–1980) was an organist and composer, organ teacher, and organist of the Emissora Nacional and the Nossa Senhora de Fátima Church. He rendered higher examination studies in organ at the Philharmonic Academy of Bologna, place where has obtained the university degree in 1914 — graduated major in organ. In Portugal to fill the position of organ teacher at the National Conservatory between 1935 and 1950, where developed an active pedagogical activity which contributed to the schooling of a new generation of Portuguese organists. He developed projects to equip the Portuguese churches with modern instruments and, in 1938, inaugurated the Tamburini enterprise organ at the Nossa Senhora de Fátima Church of Lisbon, where served as organist. In Fátima, he inaugurated the Ruffatti organ of the Basílica do Santuário de Nossa Senhora de Fátima, with a concert on 11 October 1952. In 1938, Luis de Freitas Branco writes the Portuguese Rhapsody for organ (originally Rhapsody on Portuguese Popular Songs), dedicated to Filipe Rosa de Carvalho and premiered, in 1938, at the Fátima Church, in Lisbon. He kept an active activity as a composer and concert organist. It is apparent the organist's musical diversity and eclecticism activity, inescapable figure in the modern Portuguese organ panorama, which merits a most comprehensive study, and which I propose to produce in the present work.
Description
Mestrado em Música
Keywords
Organista Moderno Actividade Obra Interpretação Organist Modern Activity Work Interpretation
Citation
Publisher
Instituto Politécnico de Lisboa - Escola Superior de Música de Lisboa