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Advisor(s)
Abstract(s)
O presente estudo ocupa-se do conceito de fluxo de consciência através dos estudos de
William James. Interessa-nos abordar o fluxo da consciência enquanto processo do
pensamento, um processo impessoal, cuja função na procura de um Eu individual, centrandose
nos movimentos do pensamento e da consciência e da procura da identidade, envolve uma
ruptura estrutural. Procura-se averiguar a aplicação desse conceito na literatura e no cinema,
numa pesquisa de partilha de afinidades entre as duas artes e dos modos como estas
manifestam uma problemática comum. Este estudo encontra-se dividido em três partes, onde
primeiro se procura uma definição do conceito de fluxo de consciência, seguindo-se de duas
partes: a segunda sobre Virginia Woolf e a terceira sobre Andrei Tarkovsky. Procurar-se-á a
emergência do conceito, que será analisado enquanto forma de procura do Eu e das fendas
que daí provêm, da identidade e da memória maioritariamente em três obras: “As Ondas” e
“Esboço do Passado”, de Woolf, e o “Espelho” de Andrei Tarkovsky, que reflectem essa
procura do Eu através do pensamento e estilhaçamento da identidade que daí surge.
ABSTRACT - The present study deals with the concept of the stream of consciousness through the studies of William James as a process of thought, an impersonal process and its function in the search for an individual self, focusing on the movements of thought and consciousness, identity and the rupture that arises from it. It seeks to ascertain the application of this concept in literature and cinema, in a research of affinities between the two arts and how they manifest a common problem. This study is divided into three parts, where one first seeks a definition of the concept of the flow of consciousness, followed by two parts, a second on Virginia Woolf and a third on Andrei Tarkovsky. The emergence of the concept, which will be analyzed as a form of a search for the Self and the cracks that come from it, will be sought from the identity and memory, mainly in three works: "The Waves" and “Sketch of a Past" by Woolf and "Mirror" by Tarkovsky, who reflect this search for the self through the thought, memory and consciousness and shattering of the identity that arises from it.
ABSTRACT - The present study deals with the concept of the stream of consciousness through the studies of William James as a process of thought, an impersonal process and its function in the search for an individual self, focusing on the movements of thought and consciousness, identity and the rupture that arises from it. It seeks to ascertain the application of this concept in literature and cinema, in a research of affinities between the two arts and how they manifest a common problem. This study is divided into three parts, where one first seeks a definition of the concept of the flow of consciousness, followed by two parts, a second on Virginia Woolf and a third on Andrei Tarkovsky. The emergence of the concept, which will be analyzed as a form of a search for the Self and the cracks that come from it, will be sought from the identity and memory, mainly in three works: "The Waves" and “Sketch of a Past" by Woolf and "Mirror" by Tarkovsky, who reflect this search for the self through the thought, memory and consciousness and shattering of the identity that arises from it.
Description
Dissertação submetida à Escola Superior de Teatro e Cinema para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Desenvolvimento de Projeto Cinematográfico – especialização em Narrativas Cinematográficas
Keywords
Fluxo de consciência Identidade Fenda Procura Stream of consciousness Self Crack Pursuit
Citation
Publisher
Instituto Politécnico de Lisboa - Escola Superior de Teatro e Cinema