Publication
Réquiem por la muerte de Miguel Hernández de José Antonio Cáceres: una obra de poesía cinética en el final del franquismo
| dc.contributor.author | Pavo Cuadrado, David | |
| dc.date.accessioned | 2024-12-20T15:25:30Z | |
| dc.date.available | 2024-12-20T15:25:30Z | |
| dc.date.issued | 2024-12 | |
| dc.description.abstract | Réquiem por la muerte de Miguel Hernández es una obra de poesía cinética de José Antonio Cáceres realizada 1975. Es la primera del grupo de siete cinéticas que produce en el final de la década 1966-1976, en la que desarrolla el grueso de su poesía experimental. Se tensiona, temáticamente, con la situación sociopolítica de España en el final del franquismo, y experimentalmente, con la vanguardia universal de la poesía visual. Se trata, además, de la primera obra en la que prescinde de cualquier elemento caligráfico relativo al lenguaje escrito convencional, suponiendo un avance sin retorno en su evolución experimental. | pt_PT |
| dc.description.abstract | ABSTRACT - Réquiem por la muerte de Miguel Hernández is a work of kinetic poetry by José Antonio Cáceres made in 1975. It is the first of the group of seven kinetic works he produced at the end of the decade 1966-1976, in which he developed the bulk of his experimental poetry. Thematically, it deals with the socio-political situation in Spain at the end of Franco’s regime, and experimentally, with the universal avant-garde of visual poetry. It is also the first work in which he dispensed with any calligraphic element relating to conventional written language, representing a breakthrough with no return in his experimental evolution. | pt_PT |
| dc.description.version | info:eu-repo/semantics/publishedVersion | pt_PT |
| dc.identifier.citation | «Réquiem Por La Muerte De Miguel Hernández De José Antonio Cáceres: Una Obra De poesía cinética En El Final Del Franquismo». 2024. RHINOCERVS: Cinema, Dança, Música, Teatro 1 (2): 60-84. https://doi.org/10.34629/rcdmt.vol.1.n.2.pp60-84. | pt_PT |
| dc.identifier.doi | https://doi.org/10.34629/rcdmt.vol.1.n.2.pp60-84 | pt_PT |
| dc.identifier.eissn | 2795-5788 | |
| dc.identifier.uri | http://hdl.handle.net/10400.21/18060 | |
| dc.language.iso | spa | pt_PT |
| dc.peerreviewed | yes | pt_PT |
| dc.publisher | Instituto Politécnico de Lisboa | pt_PT |
| dc.relation.publisherversion | https://journals.ipl.pt/rhinocervs/article/view/840 | pt_PT |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | pt_PT |
| dc.subject | José Antonio Cáceres | pt_PT |
| dc.subject | Réquiem por la muerte de Miguel Hernádez | pt_PT |
| dc.subject | Poesía cinética | pt_PT |
| dc.subject | 1975 | pt_PT |
| dc.subject | Requiem for the death of Miguel Hernández | pt_PT |
| dc.subject | Kinetic poetry | pt_PT |
| dc.title | Réquiem por la muerte de Miguel Hernández de José Antonio Cáceres: una obra de poesía cinética en el final del franquismo | pt_PT |
| dc.type | journal article | |
| dspace.entity.type | Publication | |
| oaire.citation.conferencePlace | Lisboa | pt_PT |
| oaire.citation.endPage | 84 | pt_PT |
| oaire.citation.issue | 2 | pt_PT |
| oaire.citation.startPage | 60 | pt_PT |
| oaire.citation.title | Rhinocervs : cinema, dança, música, teatro | pt_PT |
| oaire.citation.volume | 1 | pt_PT |
| person.familyName | Pavo Cuadrado | |
| person.givenName | David | |
| person.identifier.ciencia-id | 5F18-DFA9-6BC8 | |
| person.identifier.orcid | 0000-0002-6755-6332 | |
| rcaap.rights | openAccess | pt_PT |
| rcaap.type | article | pt_PT |
| relation.isAuthorOfPublication | 315b6f99-6dbd-4c38-aabc-de5a58933496 | |
| relation.isAuthorOfPublication.latestForDiscovery | 315b6f99-6dbd-4c38-aabc-de5a58933496 |
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