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Advisor(s)
Abstract(s)
O presente relatório descreve o projecto de encenação Olhares sobre Hamlet adaptação de minha autoria de Hamlet de Shakespeare, realizado no dia 15 de Junho 2016 no salão nobre do Teatro da Trindade. A proposta integrou processos de psicodrama na construção do espectáculo e das personagens. Valorizando a identificação emocional como motor da ação, a adaptação de Hamlet, protagonista do desenlace de horrores provocados pelo Desamor, é produzida no espectáculo, exatamente para apelar à sensibilidade de quem o observa, apontando a identificação de emoções como a possível forma de não repetir a história que conta. Provocando a espontaneidade, a catarse acontece, como J. L. Moreno definia ser o objetivo do Teatro Espontâneo, aqui utilizado como método de construção do espectáculo.
No palco dialogamos com o duplo do actor, como afirmava Artaud, - o ser emocional e criamos uma rede de participação para que em conjunto publico, ator, personagem, possam partilhar, saborear, degustar, o que o mais antigo tratado de teatro do mundo, Natya Shastra, no século VI a.C. descreve como concretização de espectáculo, o meio através do qual se proporciona Rasa, cuja explicação se fará entender mais adiante.
ABSTRACT - The present assay describes the staging project “looks About Hamlet”, adaptation of My authored over Shakespeare's Hamlet. The open day was on June 15, 2016, in the noble hall of the Teatro da Trindade. The Proposal integrated psychodrama processes in performing construction and Characters . Valuing emotional identification with the engine of the action. The Hamlet play, propose a view of horrors outcome of the emptyness of love (Desamor), these production appeal to the Sensitivity and Emotions , wich could probably be a possible way of Do not repeat the story to account. By Causing spontaneity the catharsis, pops up as defined Moreno, it was to Be the Objective for the spontaneous Theatre. Used here as a construction method. Onstage we dialogued with the double of the actor, as stated Artaud – “the emotional being.” and we created on stage a Participation Network for what in public set, actor, character, Share. Providing taste, nurthering as What the Oldest treated World Theatre in VI century A. C. described, what necessary confirm the happening of the show, the means to provided Rasa. The explanation come in the chapter two.
ABSTRACT - The present assay describes the staging project “looks About Hamlet”, adaptation of My authored over Shakespeare's Hamlet. The open day was on June 15, 2016, in the noble hall of the Teatro da Trindade. The Proposal integrated psychodrama processes in performing construction and Characters . Valuing emotional identification with the engine of the action. The Hamlet play, propose a view of horrors outcome of the emptyness of love (Desamor), these production appeal to the Sensitivity and Emotions , wich could probably be a possible way of Do not repeat the story to account. By Causing spontaneity the catharsis, pops up as defined Moreno, it was to Be the Objective for the spontaneous Theatre. Used here as a construction method. Onstage we dialogued with the double of the actor, as stated Artaud – “the emotional being.” and we created on stage a Participation Network for what in public set, actor, character, Share. Providing taste, nurthering as What the Oldest treated World Theatre in VI century A. C. described, what necessary confirm the happening of the show, the means to provided Rasa. The explanation come in the chapter two.
Description
Trabalho de projecto, submetido à Escola Superior de Teatro e Cinema para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Teatro – especialização encenação.
Keywords
Encenação Teatro da Trindade William Shakespeare Hamlet
Citation
Publisher
Instituto Politécnico de Lisboa : Escola Superior de Teatro e Cinema