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Advisor(s)
Abstract(s)
RESUMEN - Guillermo Uribe Holguín (violinista) y Antonio María Valencia (pianista) fueron dos compositores colombianos contemporáneos, que compartieron una educación similar, estudiando los dos con el reconocido compositor y pedagogo Vincent d´Indy en la Schola Cantorum de Paris. Ellos contribuyeron de una manera significativa en la creación de una identidad musical propia colombiana en lo que a música clásica se refiere. Al mismo tiempo tuvieron un papel fundamental en la divulgación, práctica y enseñanza de la música occidental y de las tradiciones europeas de finales del s. XIX y principios del XX. A pesar de su pasado común, sus diferentes ideas en materia pedagógica les llevaron a una disputa que traspasó los periódicos e hizo tomar partido a diversos músicos colombianos de la época. Esto trajo consigo la creación de dos modelos de conservatorio diferentes: El Conservatorio Nacional en Bogotá fundado por Uribe Holguín y El Conservatorio de Cali fundado por Valencia.
Este trabajo realiza un estudio de fuentes escritas donde se produce un acercamiento al contexto historio-biográfico de estos compositores; se realiza una descripción de los estilos compositivos abarcados durante sus vidas y, finalmente se realiza un análisis detallado de algunas de sus obras para violín y piano.
ABSTRACT - Guillermo Uribe Holguín (violinist) and Antonio María Valencia (pianist) were two Colombian composers of the first half of the 20th century who shared a similar education, having both studied composition with the renowned teacher and composer Vincent D’Indy at the Schola Cantorum in Paris. These composers made a decisive contribution to the creation of a Colombian classical music identity. At the same time, they had an important role in performance, teaching and divulgation of the western music and European traditions throughout Colombia, especially concerning the music of the late 19th century and early 20th century. Despite their common past, their different ideas in pedagogical matters drove them to a dispute that went through the newspapers and ended up with a division of many of the contemporary musicians in Colombia. This lead to the creation of two conservatory-models: the National Conservatory in Bogotá founded by Uribe Holguín and the Conservatory of Cali founded by Valencia. This work presents research of the written sources that relate to the historic and biographical context of these two composers, providing a description of the composing styles developed by Uribe Holguín and Valencia. Furthermore, a detailed analysis of selected works for violin and piano by the two composers will be presented.
ABSTRACT - Guillermo Uribe Holguín (violinist) and Antonio María Valencia (pianist) were two Colombian composers of the first half of the 20th century who shared a similar education, having both studied composition with the renowned teacher and composer Vincent D’Indy at the Schola Cantorum in Paris. These composers made a decisive contribution to the creation of a Colombian classical music identity. At the same time, they had an important role in performance, teaching and divulgation of the western music and European traditions throughout Colombia, especially concerning the music of the late 19th century and early 20th century. Despite their common past, their different ideas in pedagogical matters drove them to a dispute that went through the newspapers and ended up with a division of many of the contemporary musicians in Colombia. This lead to the creation of two conservatory-models: the National Conservatory in Bogotá founded by Uribe Holguín and the Conservatory of Cali founded by Valencia. This work presents research of the written sources that relate to the historic and biographical context of these two composers, providing a description of the composing styles developed by Uribe Holguín and Valencia. Furthermore, a detailed analysis of selected works for violin and piano by the two composers will be presented.
Description
Relataría de Proyecto Artístico presentado en la Escola Superior de Música de Lisboa, del Instituto Politécnico de Lisboa, para completar los requisitos para la obtención del grado de Maestro en Música
Keywords
Violín Piano Compositores Impresionismo musical Nacionalismo musical Educación musical Cultura Guillermo Uribe Holguín Antonio María Valencia Vincent D’Indy Composers Colombia Musical impressionism Musical nationalism Musical education Culture
Pedagogical Context
Citation
Publisher
Instituto Politécnico de Lisboa - Escola Superior de Música de Lisboa