Publicação
Niedokladna mapa teatralna portugallii
| dc.contributor.author | Coelho, Rui Pina | |
| dc.date.accessioned | 2016-01-22T16:27:23Z | |
| dc.date.available | 2016-01-22T16:27:23Z | |
| dc.date.issued | 2010 | |
| dc.description.abstract | ABSTRACT - This text is divided in two parts. Firstly, I deal with the evolution on Portuguese theatre from the post-second world war period until present day. I’m focusing on the experimentalism of the forties, characterized by an urge for renewal and modernization; the constitution of a highly politicized independent theatre movement, in the seventies; and the plurality of contemporary Portuguese theatre. Secondly, I deal with the alleged inability of Portuguese writers for playwriting, signalling the most significant names of the post Carnation Revolution, on the 25th of April 1974, to present days. | pt_PT |
| dc.identifier.issn | 0012-2041 | |
| dc.identifier.uri | http://hdl.handle.net/10400.21/5599 | |
| dc.language.iso | eng | pt_PT |
| dc.peerreviewed | yes | pt_PT |
| dc.publisher | Instituto Camões – Ministério dos Negócios Estrangeiros | pt_PT |
| dc.subject | Portuguese theatre history | pt_PT |
| dc.subject | Contemporary portuguese dramatic literature | pt_PT |
| dc.subject | Experimental theatre | pt_PT |
| dc.title | Niedokladna mapa teatralna portugallii | pt_PT |
| dc.type | journal article | |
| dspace.entity.type | Publication | |
| oaire.citation.conferencePlace | Varsóvia | pt_PT |
| oaire.citation.endPage | 57 | pt_PT |
| oaire.citation.startPage | 48 | pt_PT |
| oaire.citation.title | Dialog | pt_PT |
| rcaap.rights | openAccess | pt_PT |
| rcaap.type | article | pt_PT |
