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Authors
Advisor(s)
Abstract(s)
Este projeto centra-se na área intermedia entre a improvisação e a composição escrita
e explora a sua relação em abordagens específicas na criação musical.
O propósito do estudo e compreender como os processos criativos de cinco
composições originais se relacionam tanto com a improvisação como com a
composição escrita, e como a construção das obras foi abordada neste contexto. As
composições incluem quatro peças exclusivamente musicais e uma performance
interativa, e foram divididas em três categorias: obras improvisadas, obras
parcialmente improvisadas/parcialmente escritas e obras escritas.
Para a investigação exploratória, foi realizada uma ampla pesquisa sobre o processo
criativo na musica a fim de depois refletir analiticamente sobre a elaboração das
respetivas peças. Atraves das conclusões finais do estudo, o objetivo final do projeto
foi alargar e aprofundar a minha perspetiva sobre a criação musical e assim crescer
como compositor e musico improvisador.
Os resultados do estudo mostraram que as obras improvisadas perseguiam um
objetivo estetico diferente das composições escritas, embora as abordagens
específicas à criação musical das cinco peças estivessem interligadas e entrelaçadas.
Alem disso, tornou-se claro que o meu trabalho define-se mais pela minha prática em
si do que pela forma que assume durante o processo. Neste sentido, as respetivas
peças podem ser consideradas como um só corpo de trabalho, uma vez que todas
elas se baseiam nas características e valores da improvisação.
Abstract - This project focuses on the intermediate area between improvisation and written composition and explores their relationship in specific approaches to musical creation. The aim of the study is to understand how the creative process of five original compositions relate to both improvisation and written composition, and how the construction of the works was approached in this context. The compositions include four purely musical pieces and an interactive performance and were divided into three categories: improvised works, partly improvised/partly through-composed works and through-composed works. For the exploratory research, a broad investigation into the creative process in music was carried out in order later to reflect analytically on the elaboration of the respective pieces. The ultimate objective of the project, through the final conclusions of the study, was to broaden and deepen my perspective on musical creation and thereby grow as a composer and improvising musician. The results of the study showed that the improvised works pursued a different aesthetic goal than the written compositions, although the specific approaches to musical creation of all five works were interconnected and interwoven. Furthermore, it became clear that my work is is rather defined by my way of doing than by the form it takes. In this sense, the respective pieces can be regarded as a single body of work, as they are all based on the characteristics and values of improvisation.
Abstract - This project focuses on the intermediate area between improvisation and written composition and explores their relationship in specific approaches to musical creation. The aim of the study is to understand how the creative process of five original compositions relate to both improvisation and written composition, and how the construction of the works was approached in this context. The compositions include four purely musical pieces and an interactive performance and were divided into three categories: improvised works, partly improvised/partly through-composed works and through-composed works. For the exploratory research, a broad investigation into the creative process in music was carried out in order later to reflect analytically on the elaboration of the respective pieces. The ultimate objective of the project, through the final conclusions of the study, was to broaden and deepen my perspective on musical creation and thereby grow as a composer and improvising musician. The results of the study showed that the improvised works pursued a different aesthetic goal than the written compositions, although the specific approaches to musical creation of all five works were interconnected and interwoven. Furthermore, it became clear that my work is is rather defined by my way of doing than by the form it takes. In this sense, the respective pieces can be regarded as a single body of work, as they are all based on the characteristics and values of improvisation.
Description
Master’s degree in music report presented to the Escola Superior de Musica de Lisboa, do Instituto
Politecnico de Lisboa, in fulfilment of the requirements for obtaining the Master's degree in Music,
according to Decreto-Lei n°107/2008 de 25 de Junho.
Keywords
Processo criativo Improvisação Composição escrita Abordagens à criação musical Creative process Improvisation Written composition Approaches to musical creation
Citation
Publisher
Instituto Politécnico de Lisboa - Escola Superior de Música de Lisboa