A carregar...
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Orientador(es)
Resumo(s)
Derivando da origem etimológica do conceito de gesto enquanto uma ação de carregar, este texto debruça-se sobre uma perspetiva fenomenológica da experiência de movimento do bailarino que, ao jogar com a ação de carregar o peso do seu corpo, adentra na natureza primária e paradoxal intrínseca á ação de resistir à força da gravidade. Sustentando-nos no legado escrito da icónica bailarina Doris Humphrey, a força de resistência é aqui apresentada como uma força que, na tensão paradoxal entre os seus limites, gera o movimento vibrátil da vida. Partindo da intensificação do sentido proprioceptivo do bailarino e com base nos estudos no âmbito da cognição incorporada, propomos percecionar o nascimento de sentido a partir da natureza paradoxal e porosa do movimento, desafiando a estrutura dualista do pensamento clássico.
ABSTRACT - Deriving from the etymological origin of the concept of gesture as an action of carrying, this text focuses on a phenomenological approach to the dancer’s experience of movement, who, by playing with the weight of their body, delves into the primary and paradoxical nature intrinsic to the act of resisting the force of gravity. Based on the written legacy of the iconic dancer Doris Humphrey, the force of resistance is presented here as a force of movement that, in the paradoxical tension between its limits, generates the vibrant movement of life. Lastly, drawing from the intensification of the dancer’s proprioceptive sense and based on studies in the field of embodied cognition, we propose a mode of meaning-making that emerges from the paradoxical and porous nature of movement, challenging the dualistic structure of classical thought.
ABSTRACT - Deriving from the etymological origin of the concept of gesture as an action of carrying, this text focuses on a phenomenological approach to the dancer’s experience of movement, who, by playing with the weight of their body, delves into the primary and paradoxical nature intrinsic to the act of resisting the force of gravity. Based on the written legacy of the iconic dancer Doris Humphrey, the force of resistance is presented here as a force of movement that, in the paradoxical tension between its limits, generates the vibrant movement of life. Lastly, drawing from the intensification of the dancer’s proprioceptive sense and based on studies in the field of embodied cognition, we propose a mode of meaning-making that emerges from the paradoxical and porous nature of movement, challenging the dualistic structure of classical thought.
Descrição
Palavras-chave
Corpo-vivo Dança Movimento-poroso Resistência Sentido paradoxal Living body Dance Porous movement Paradoxical sense Resistance
Contexto Educativo
Citação
De Lima, Cecília (2025). O gesto enquanto desejo de resistência e no seu limite o movimento de cair e agarrar. In Dias, F. (Coord) Paragone – Gesto. pp.160-168.
Editora
Instituto Politécnico de Lisboa -FBAUL – CIEBA