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Abstract(s)
Este trabalho de projeto, engloba um argumento de filme-ensaio e tuna reflexão teórica, em torno deste argumento, este texto que quer ser filme. Assim há duas ordens de problematização: uma teórica, de formulação de questões, e outra prática, de como formular essas questões em termos filmicos. A reflexão, que pretende ser este cruzamento entre a. teoria e o exercício prático, nasce de um impreterível desejo de expressão, a. partir de uma experiência pessoal no âmbito dos relacionamentos amorosos. Durante esse processo, escrevi uma série de poemas intitulada. Amor-poliamor-começos-fins e pude partilhar, em conversas com amigos residentes em Lisboa e no Rio de Janeiro, a experiência que ia acontecendo. A partir deste texto poético e da partilha de experiências, comecei a elaborar este projeto fíhnico que visa transmutar uma experiência íntima numa experiência comum, apresentando como objeto artístico prático o argumento-ensaio em anexo. A partir dele e utilizando um método decompositivo, procurei problematizar e desenvolver o problema de criar essas passagens entre estes dois tipos de vozes íntima e comum. Isto foi feito por meio do estudo de alguns conceitos-chave que aparecem como capítulos deste trabalho: Filme-ensaio e Heterobiografia; Palavra, Voz e Polifonia; Memória, Ruína e Não-lugares, não sem antes passar por explicar o meu ponto de vista, sobre relacionamentos amorosos. Com estas duas ordens de problematização busco responder este problema de forma, sobretudo, ensaística.
ABSTRACT - This work project encompasses an essay-film script and a theoretical reflection upon such script - a text that wishes to become a film. Thus, there are two orders of problematization: a theoretical one, which formulates questions, and a practical one, as on how to phrase such questions in film terms. The reflection intends to be a crossing of theoretical and practical exercise, stamning from an imperative desire for expression, coming from a personal experience in a context of amorous relationships. Throughout this process, I've written a series of poems entitled Love-polyamory-beginnings-endings and was able to share the ongoing experience with resident friends of Rio de Janeiro and Lisbon. Stemming from this poetic text and the sharing of experiences, I began to elaborate on this film project which seeks to transmute the intimate experience into a common one, presenting the attached script as a practical artistic object. As of it, and deploying a decomposition method, I sought to question and unfold the issue of creating such passages between these two types of voices: intimate and common. This came to be through studying some key concepts that appear as chapters in this work: Essay-Film and Heterobiography; Word, Voice, and Polyphony: Memory, Ruin and Non-Place. All of this not without first explaining my point of view on amorous relationships. With these two orders of problematization, I seek to respond to the problem, above all, in an essay-like manner.
ABSTRACT - This work project encompasses an essay-film script and a theoretical reflection upon such script - a text that wishes to become a film. Thus, there are two orders of problematization: a theoretical one, which formulates questions, and a practical one, as on how to phrase such questions in film terms. The reflection intends to be a crossing of theoretical and practical exercise, stamning from an imperative desire for expression, coming from a personal experience in a context of amorous relationships. Throughout this process, I've written a series of poems entitled Love-polyamory-beginnings-endings and was able to share the ongoing experience with resident friends of Rio de Janeiro and Lisbon. Stemming from this poetic text and the sharing of experiences, I began to elaborate on this film project which seeks to transmute the intimate experience into a common one, presenting the attached script as a practical artistic object. As of it, and deploying a decomposition method, I sought to question and unfold the issue of creating such passages between these two types of voices: intimate and common. This came to be through studying some key concepts that appear as chapters in this work: Essay-Film and Heterobiography; Word, Voice, and Polyphony: Memory, Ruin and Non-Place. All of this not without first explaining my point of view on amorous relationships. With these two orders of problematization, I seek to respond to the problem, above all, in an essay-like manner.
Description
Trabalho de Projeto submetido à Escola Superior de Teatro e Cinema para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Desenvolvimento de Projeto Cinematográfico - especialização em Narrativas Cinematográficas
Keywords
Filme-ensaio Heterobiografia Polifonia Intímo Comum Essay-film Heterobiography Polyphony Intimate Common
Citation
Publisher
Instituto Politécnico de Lisboa - Escola Superior de Teatro e Cinema