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Authors
Advisor(s)
Abstract(s)
A função de um maestro é muito ampla. Sendo a orquestra o seu instrumento e tendo como objetivo final uma interpretação musical de excelência, compete-lhe gerir um grupo de pessoas, motivá-las e extrair delas o seu máximo potencial. A análise detalhada da obra e, consequentemente, da partitura é fundamental para que se consiga elaborar uma ideia clara da sua interpretação e, posteriormente, transmiti-la aos músicos. A comunicação é também, por isso, um aspeto fundamental para o sucesso do trabalho de um maestro. Uma nuance importante ao modus operandi de um maestro surge quanto se aborda uma obra com solista, neste caso, a interpretação deixa de se basear apenas na sua visão e passa a ser o fruto da partilha de sensibilidades e ideias entre ele e o solista. A forma como se devem gerir todos estes pormenores é o cerne da reflexão deste estudo. O meu projeto artístico será a apresentação pública da Abertura da Ópera Fidelio e o Concerto para Violino em Ré maior, ambas as obras do compositor Ludwig Van Beethoven. Recorrendo a entrevistas a maestros conceituados, pretendo encontrar algumas respostas que me ajudem a refletir e a enfrentar a preparação do já referido projeto artístico da melhor forma possível.
ABSTRACT - The role of a conductor is very broad. As the orchestra is its instrument and has as its final objective an excellent musical interpretation, it must manage a group of people, motivate them, and extract their maximum potential. Detailed analysis of the work and, consequently, of the score, is essential for me to develop a clear idea of your interpretation and transmit it to the musicians. Communication is therefore also a fundamental aspect of the success of a conductor's work. An important nuance to a conductor's modus operandi appears when approaching a work with a soloist, in this case, the interpretation is no longer based merely on his vision and becomes the fruit of the sharing of sensibilities and ideas between him and the soloist. The way in which all these details should be managed is the core of this study's reflection. My artistic project will be the public performance of the Opera Fidelio Overture and the Violin Concerto in D Major, both works by the composer Ludwig Van Beethoven. Using interviews with renowned conductors, I intend to find some answers that will help me to reflect and face the preparation of the aforementioned artistic project in the best possible way.
ABSTRACT - The role of a conductor is very broad. As the orchestra is its instrument and has as its final objective an excellent musical interpretation, it must manage a group of people, motivate them, and extract their maximum potential. Detailed analysis of the work and, consequently, of the score, is essential for me to develop a clear idea of your interpretation and transmit it to the musicians. Communication is therefore also a fundamental aspect of the success of a conductor's work. An important nuance to a conductor's modus operandi appears when approaching a work with a soloist, in this case, the interpretation is no longer based merely on his vision and becomes the fruit of the sharing of sensibilities and ideas between him and the soloist. The way in which all these details should be managed is the core of this study's reflection. My artistic project will be the public performance of the Opera Fidelio Overture and the Violin Concerto in D Major, both works by the composer Ludwig Van Beethoven. Using interviews with renowned conductors, I intend to find some answers that will help me to reflect and face the preparation of the aforementioned artistic project in the best possible way.
Description
Relatório de Projeto Artístico apresentado à Escola Superior de Música de Lisboa, do Instituto Politécnico de Lisboa, para cumprimento dos requisitos à obtenção do grau de Mestre em Música, conforme Decreto-Lei nº107/2008 de 25 de Junho.
Keywords
Ludwig Van Beethoven Maestros Entrevista Orquestra
Citation
Publisher
Instituto Politécnico de Lisboa - Escola Superior de Música de Lisboa