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Authors
Advisor(s)
Abstract(s)
O potencial do conceito transmedia, apresentado por Henry Jenkins, encontra-se bem
documentado na vertente ficcional, da qual existem diversos exemplos de universos que
utilizaram este formato para expandir as suas narrativas. No entanto, as possibilidades do
transmedia podem ir além das narrativas ficcionais.
No trabalho aqui apresentado, explorou-se a capacidade e potencial do transmedia no
âmbito de uma narrativa não ficcional. Para tal, foi desenvolvido um projeto transmedia
documental, focado no skate feminino em Portugal. Foram desenvolvidos suportes media
e conteúdos para conduzir a audiência através dos depoimentos dados pelas skaters que
participaram no projeto. Ao longo de um ano, a audiência foi exposta às experiências das
28 skaters, em cima e fora da tábua.
Atualmente, as problemáticas de género e representatividade são trazidas de forma
pertinente para a esfera pública – e a comunidade do skate não é exceção. Assim sendo,
aliado a outros projetos, o Push Her impactou a comunidade de skate nacional, gerando
discussão acerca da inclusão e das experiências das skaters. Além disso, o Push Her
proporcionou a aproximação entre skaters do sexo feminino que, após a participação no
projeto, construíram novas propostas de apoio ao skate feminino português. Desta forma,
podemos concluir que o formato transmedia tem a capacidade de conduzir uma narrativa
não ficcional com sucesso, uma vez que suscita a participação na problemática
apresentada e pode gerar novas plataformas para discussão acerca da mesma.
ABSTRACT: The potential of the transmedia concept, presented by Henry Jenkins, is well documented in the fictional branch, within which we can find many examples of universes that use this format as means to expand their narrative. Nonetheless, the possibilities of transmedia can stretch beyond fictional narratives. In this project, transmedia’s capacity and potential were explored in the scope of a non fictional narrative. To do so, a documental transmedia project was developed, focused on female skate in Portugal. Media platforms and content were developed to guide the audience through the statements given by the skaters that participated in the project. Throughout one year, the audience was exposed to the experiences of the 28 skaters, on and off board. Nowadays, gender and representativity issues are brought forth pertinently to the public sphere – and the skate community is no exception. Therefore, in collaboration with other projects, Push Her impacted the Portuguese skate community, generating conversations considering the inclusion and experiences of the skaters. Besides that, Push Her brought together female skaters who, after being part of the project, created new enterprises to support female skateboarding in Portugal. Considering that, we can conclude that the transmedia format has the capacity to guide a non-fictional narrative successfully, since it stimulates the audience to participate in the presented issue and can generate new platforms to that discussion.
ABSTRACT: The potential of the transmedia concept, presented by Henry Jenkins, is well documented in the fictional branch, within which we can find many examples of universes that use this format as means to expand their narrative. Nonetheless, the possibilities of transmedia can stretch beyond fictional narratives. In this project, transmedia’s capacity and potential were explored in the scope of a non fictional narrative. To do so, a documental transmedia project was developed, focused on female skate in Portugal. Media platforms and content were developed to guide the audience through the statements given by the skaters that participated in the project. Throughout one year, the audience was exposed to the experiences of the 28 skaters, on and off board. Nowadays, gender and representativity issues are brought forth pertinently to the public sphere – and the skate community is no exception. Therefore, in collaboration with other projects, Push Her impacted the Portuguese skate community, generating conversations considering the inclusion and experiences of the skaters. Besides that, Push Her brought together female skaters who, after being part of the project, created new enterprises to support female skateboarding in Portugal. Considering that, we can conclude that the transmedia format has the capacity to guide a non-fictional narrative successfully, since it stimulates the audience to participate in the presented issue and can generate new platforms to that discussion.
Description
Trabalho de projeto apresentado à Escola Superior de Comunicação Social como parte dos requisitos para obtenção de grau de mestre em Audiovisual e Multimédia.
Keywords
Transmedia Não ficcional Documentário Skateboarding Skate feminino Non-fictional Documentary Female skateboarding
Citation
Filipe, A.S.P. (2022). PUSH HER: Projeto transmedia documental aplicado ao skate feminino em Portugal. [Trabalho de projeto de mestrado, Escola Superior de Comunicação Social]. Repositório Científico do Instituto Politécnico de Lisboa. http://hdl.handle.net/10400.21/15572
Publisher
Instituto Politécnico de Lisboa, Escola Superior de Comunicação Social