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Authors
Advisor(s)
Abstract(s)
Este artigo-ensaio intitulado "NoCap - Como dançar com dados" resulta da reflexão sobre uma performance com tecnologias de captura de movimento (Mocap), desenvolvido por André Carvalho, Ana Isa Araújo e Stephan Jürgens no âmbito da pós-graduação Media & Performance: Laboratório de Tecnologias Criativas da Escola Superior de Teatro e Cinema/IPL Lisboa.
Para além de uma partilha do processo criativo com equipamentos e ferramentas de software da captura de movimento e interação com os resultantes dados, neste artigo-ensaio se faz uma distinção entre motion capture e motion tracking para refletir diversos modos de trabalhar com esta tecnologia no âmbito da live performance. Por fim, a performance NoCap e as suas ideias artísticas e conceptuais constituintes são contextualizadas na perspetiva de uma "ecologia de performance" do projeto (CON)FUNDIR, apresentado no Museu Nacional de Arte Contemporânea do Chiado em Lisboa.
ABSTRACT - This essay-article entitled "NoCap - How to dance with data" results from a reflection on a live performance with motion capture technologies (Mocap), developed by André Carvalho, Ana Isa Araújo and Stephan Jürgens within the context of the Media & Performance: Creative Technologies Laboratory postgraduate course at the Higher School of Theater and Cinema/IPL Lisbon. In addition to sharing the creative process with motion capture equipment, software tools and interaction with the resulting data, this essay-article makes a distinction between motion capture and motion tracking to discuss different ways of working with this technology within the context of a live performance. Finally, the NoCap performance and its constituent artistic and conceptual ideas are contextualized from the perspective of a "performance ecology" of the (CON)FUNDIR project, presented at the Museu Nacional de Arte Contemporânea do Chiado in Lisbon.
ABSTRACT - This essay-article entitled "NoCap - How to dance with data" results from a reflection on a live performance with motion capture technologies (Mocap), developed by André Carvalho, Ana Isa Araújo and Stephan Jürgens within the context of the Media & Performance: Creative Technologies Laboratory postgraduate course at the Higher School of Theater and Cinema/IPL Lisbon. In addition to sharing the creative process with motion capture equipment, software tools and interaction with the resulting data, this essay-article makes a distinction between motion capture and motion tracking to discuss different ways of working with this technology within the context of a live performance. Finally, the NoCap performance and its constituent artistic and conceptual ideas are contextualized from the perspective of a "performance ecology" of the (CON)FUNDIR project, presented at the Museu Nacional de Arte Contemporânea do Chiado in Lisbon.
Description
Stephan Jurgens é Professor Adjunto Convidado da ESTC-IPL e leciona na Licenciatura em Teatro, Mestrado em Teatro e Pós Graduação em Media & Performance
Keywords
Captura movimento Movimento Ecologia de desempenho Motion capture Motion tracking Performance ecology
Citation
Publisher
Instituto Politécnico de Lisboa - Escola Superior de Teatro e Cinema