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Advisor(s)
Abstract(s)
Este texto configura o Relatório Final de Projeto sobre o processo criativo da peça de
dança Atopos, co-criada e co-interpretada com Miguel Santos, no contexto do Mestrado em
Criação Coreográfica e Práticas Profissionais da Escola Superior de Dança. Com este
documento pretende-se estabelecer, através da escrita, um vetor investigativo que dialoga e
se acrescenta ao processo desenvolvido em estúdio, aproximando-se do processo criativo
cronologicamente, expressivamente, sensorialmente para formar novas camadas da sua
compreensão. Partindo do potencial temático do conceito de atopos, pela lente de Roland
Barthes no livro Fragmentos de um Discurso Amoroso, os conceitos de sinistro, paisagem e
poesia, foram basilares na perspetivação da expressão artística da obra coreográfica. As
principais ferramentas desenvolvidas em estúdio para a geração, seleção e composição de
movimento foram a improvisação livre e estruturada, a exaltação da expressividade das
ações comuns, o mapeamento temporal e espacial de propostas coreográficas e a utilização
da palavra como mote para o movimento. Das experiências e desenvolvimento dos métodos
que possibilitaram a criação coreográfica, formaram-se reflexões internas relativas ao
impacto da pluralidade nos processos criativos partilhados e à relação que o intérprete e o
movimento estabelecem com os elementos cénicos. Estas observações, desenvolvidas em
diálogo com outros autores e artistas, paralelamente com os interesses temáticos iniciais,
impactaram o processo criativo e informaram pensamentos sobre a dramaturgia da peça. O
conceito das nuvens, que se inspira na proposta de José Gil de serem o devir do movimento
visível da dança, que se traduz sempre denso, desfocado e efémero, permite pensar o modo
de expressão da peça como um artifício que não se revela inteiramente, e por isso atrai,
mas que se desfaz a si próprio, e por isso aproxima. A proposta de Atopos, associada ao
potencial das nuvens para fazer correr o impulso, através do desejo, modo da agenciação
do impulso, é além de peça coreográfica, uma investigação do potencial expressivo, social,
ético e político da dança.
ABSTRACT - This text configures the Final Project Report on the creative process of the dance piece Atopos, co-created and co-interpreted with Miguel Santos, in the context of the Master's Degree in Choreographic Creation and Professional Practices at Escola Superior de Dança. With this document, it’s intended to establish, through writing, an investigative vector that dialogues and adds to the process developed in the studio, approaching the creative process chronologically, expressively, sensorially to form new layers of its understanding. Starting from the thematic potential of the concept of atopos, through the lens of Roland Barthes in the book Fragments of a Lover’s Discourse, the concepts of sinister, landscape and poetry were fundamental in the consideration of the artistic expression for the choreographic work. The main tools developed in the studio for movement generation, selection and composition were free and structured improvisation, the exaltation of the expressiveness of common actions, the temporal and spatial mapping of choreographic proposals and the use of word as motto for movement. Based on the experiences and development of methods that enabled the choreographic creation, internal reflections were formed regarding the impact of plurality in shared creative processes and the relationship that the performer and the movement establish with the scenic elements. These observations, developed in dialogue with other authors and artists, in parallel with the initial thematic interests, impacted the creative process and informed thoughts about the piece's dramaturgy. The concept of clouds, which is inspired by José Gil's proposal that they are the becoming of the visible movement of dance, which is always dense, unfocused and ephemeral, allows us to think of the piece's mode of expression as an artifice that does not reveal itself entirely, and therefore it attracts, but it dissolves itself, and therefore it approaches. Atopos' proposal, associated with the potential of the clouds to make impulse flow, through desire, the mode of agency of impulse, is, in addition to being a choreographic piece, an investigation of the expressive, social, ethical and political potential of dance.
ABSTRACT - This text configures the Final Project Report on the creative process of the dance piece Atopos, co-created and co-interpreted with Miguel Santos, in the context of the Master's Degree in Choreographic Creation and Professional Practices at Escola Superior de Dança. With this document, it’s intended to establish, through writing, an investigative vector that dialogues and adds to the process developed in the studio, approaching the creative process chronologically, expressively, sensorially to form new layers of its understanding. Starting from the thematic potential of the concept of atopos, through the lens of Roland Barthes in the book Fragments of a Lover’s Discourse, the concepts of sinister, landscape and poetry were fundamental in the consideration of the artistic expression for the choreographic work. The main tools developed in the studio for movement generation, selection and composition were free and structured improvisation, the exaltation of the expressiveness of common actions, the temporal and spatial mapping of choreographic proposals and the use of word as motto for movement. Based on the experiences and development of methods that enabled the choreographic creation, internal reflections were formed regarding the impact of plurality in shared creative processes and the relationship that the performer and the movement establish with the scenic elements. These observations, developed in dialogue with other authors and artists, in parallel with the initial thematic interests, impacted the creative process and informed thoughts about the piece's dramaturgy. The concept of clouds, which is inspired by José Gil's proposal that they are the becoming of the visible movement of dance, which is always dense, unfocused and ephemeral, allows us to think of the piece's mode of expression as an artifice that does not reveal itself entirely, and therefore it attracts, but it dissolves itself, and therefore it approaches. Atopos' proposal, associated with the potential of the clouds to make impulse flow, through desire, the mode of agency of impulse, is, in addition to being a choreographic piece, an investigation of the expressive, social, ethical and political potential of dance.
Description
Relatório Final de Projeto apresentado à Escola Superior de Dança com vista à
obtenção do Grau de Mestre em Criação Coreográfica e Práticas Profissionais em
Coreografia
Keywords
Processo criativo Impulso Desejo Nuvens Atopos Creative process Impulse Desire Clouds Atopos
Citation
Silva, B. M. A. M. (2024). Atopos [impulso tornado em nuvens]. [Dissertação de mestrado, Escola Superior de Dança]. Repositório Científico do Instituto Politécnico de Lisboa. http://hdl.handle.net/10400.21/18046
Publisher
Instituto Politécnico de Lisboa, Escola Superior de Dança