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Authors
Advisor(s)
Abstract(s)
Exploro neste artigo a questão da utilização do vestuário, per se, no pressuposto da ausência do corpo. Um objeto — o vestuário — no rescaldo de uma personagem social ou de um espetáculo. Um objeto artístico, agora, parte de uma outra encenação que o apresenta e protagoniza, como se fosse uma espécie de personagem transversal que, a partir do Teatro e da Moda, opera na esfera da Arte Contemporânea.
Para sustentar o deslocamento objetual do figurino, ao propor a designação de metafigurino, parto das palavras-chave enunciadas, esperando contribuir para amplificar o debate, na medida em que se aborda a possibilidade de uma perspetiva relacional entre o objeto e o campo de forças que, normalmente, envolve uma relação física e emocional entre seres humanos.
ABSTRACT - In this paper I explore the issue of the use of clothing, per se, on the assumption of the absence of the body. As an object — the garment — In the aftermath of a social character or a show. So once considered as an artistic object it becomes part of a new staging that presents it, and stars it as if it were a kind of transversal character either from Theater and Fashion operating in the sphere of Contemporary Art. In order to support the objectual displacement of the costume, proposing the designation of meta-costume, I start from the enunciated keywords, hoping to contribute to amplify the debate, insofar as it approaches the possibility of a relational perspective between the object and the field of forces that, normally, involve a physical and emotional relationship between human beings.
ABSTRACT - In this paper I explore the issue of the use of clothing, per se, on the assumption of the absence of the body. As an object — the garment — In the aftermath of a social character or a show. So once considered as an artistic object it becomes part of a new staging that presents it, and stars it as if it were a kind of transversal character either from Theater and Fashion operating in the sphere of Contemporary Art. In order to support the objectual displacement of the costume, proposing the designation of meta-costume, I start from the enunciated keywords, hoping to contribute to amplify the debate, insofar as it approaches the possibility of a relational perspective between the object and the field of forces that, normally, involve a physical and emotional relationship between human beings.
Description
Keywords
Figurino Moda Objeto artístico Teatralidade Metafigurino Costume Fashion Artistic object Theatricality Meta-costume
Citation
«O Objeto Está Presente». 2022. RHINOCERVS: Cinema, Dança, Música, Teatro 1 (1): 158-71. https://doi.org/10.34629/rcdmt.vol.1.n.1.pp158-171.
Publisher
Instituto Politécnico de Lisboa