| Name: | Description: | Size: | Format: | |
|---|---|---|---|---|
| 301.66 KB | Adobe PDF |
Authors
Advisor(s)
Abstract(s)
Este relatório é sobre o docudrama Poesia de segunda categoria, projecto
cinematográfico de curta-metragem cujo argumento foi desenvolvido nas aulas de
escrita dramática do mestrado em Teatro da Escola Superior de Teatro e Cinema. A
apresentação de um projecto cinematográfico como projecto final do mestrado em
Teatro justifica-se pela importância determinante dos contributos recebidos no
âmbito do mestrado, quer na escrita do argumento, durante as aulas do curso, onde
através das opiniões de colegas e professores se foi reformulando o argumento;
quer na produção do filme, através das colaborações artísticas que surgiram no
contexto do mestrado e que em muito contribuíram para a concretização do projecto.
O filme centra-se na recriação da cerimónia de entrega dos prémios literários do
Secretariado de Propaganda Nacional, que historicamente decorreu em Lisboa, a 21
de Fevereiro de 1935. A escrita do argumento foi iniciada em meados de 2006 e a
rodagem em Outubro de 2011, tendo o filme estreado em Setembro de 2012, no
XVIII Festroia. O relatório descreve e analisa, por ordem cronológica, as diversas
etapas da produção do filme, em particular o momento em que o argumento foi
apresentado em 2011, como objecto de trabalho no âmbito das aulas de escrita
dramática do mestrado, onde recebeu influências de linguagens teatrais
contemporâneas englobadas na noção plural de Escritas de Cena. A dialéctica
conceptual entre os princípios subjacentes à escrita de argumentos do cinema norteamericano,
de matriz dita aristotélica (modelo que até então havia orientado o
trabalho de escrita do argumento), com outras linhas de concretização dramatúrgica,
propostas em Escritas de Cena (baseadas num quadro teórico de performatividade
contemporânea), deu origem a uma clivagem que conduziu, não apenas à
reformulação do texto do argumento, mas também a uma redefinição do papel
desempenhado pelo texto no âmbito da rodagem do filme.
ABSTRACT - This report is about the docudrama short film Second rate Poetry, a cinematographic project whose screenplay was presented and developed, since May 2011, at the dramatic writing classes of Lisbon Theatre and Film School (Escola Superior de Teatro e Cinema) Theatre master's course. The presentation of a cinematographic work as a final project of a master course in Theatre, is justifiable by the importance of the course’s contributions, regarding the rewriting of the screenplay, during the he course's classes, where the opinions of colleagues and teachers were determinant to the reformulation of the screenplay, and also, regarding the production of the film, through artistic collaborations that were initiated during the course. The film is based on an historical event, a literary awards ceremony that took place in Lisbon, 21st February 1935. The initial writing of the screenplay dates mid 2006, the shooting started in October 2011 and the film was premiered in September 2012 at the XVIII Festroia. The report describes and analyzes, by chronological order, each production stage of the film, particularly when the screenplay was presented has a work in progress at the master's course dramatic writing classes, where the film's screenplay was influenced by a contemporary dramatic language, commonly designated as Devised Theater. The conceptual dialectic process between the underlying principles of the north-american scriptwriting model, of Aristotelian matrix, that until then guided the writing of the screenplay, along with the principles of Devised theater, based on a performative contemporary framework, lead to, not only the rewriting of the text of the screenplay, but also to the redefinition of the role of the text itself in the production of the film.
ABSTRACT - This report is about the docudrama short film Second rate Poetry, a cinematographic project whose screenplay was presented and developed, since May 2011, at the dramatic writing classes of Lisbon Theatre and Film School (Escola Superior de Teatro e Cinema) Theatre master's course. The presentation of a cinematographic work as a final project of a master course in Theatre, is justifiable by the importance of the course’s contributions, regarding the rewriting of the screenplay, during the he course's classes, where the opinions of colleagues and teachers were determinant to the reformulation of the screenplay, and also, regarding the production of the film, through artistic collaborations that were initiated during the course. The film is based on an historical event, a literary awards ceremony that took place in Lisbon, 21st February 1935. The initial writing of the screenplay dates mid 2006, the shooting started in October 2011 and the film was premiered in September 2012 at the XVIII Festroia. The report describes and analyzes, by chronological order, each production stage of the film, particularly when the screenplay was presented has a work in progress at the master's course dramatic writing classes, where the film's screenplay was influenced by a contemporary dramatic language, commonly designated as Devised Theater. The conceptual dialectic process between the underlying principles of the north-american scriptwriting model, of Aristotelian matrix, that until then guided the writing of the screenplay, along with the principles of Devised theater, based on a performative contemporary framework, lead to, not only the rewriting of the text of the screenplay, but also to the redefinition of the role of the text itself in the production of the film.
Description
Trabalho de Projecto submetido à Escola Superior de Teatro e Cinema para cumprimento dos requisitos necessários para a obtenção do grau de Mestre em Teatro, especialização em Artes Performativas / Escritas de Cena
Keywords
Docudrama Cinema Fernando Pessoa Curta-metragem Escritas de cena Argumento Short film Devised theater Screenplay
Citation
Publisher
Instituto Politécnico de Lisboa - Escola Superior de Teatro e Cinema