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Authors
Advisor(s)
Abstract(s)
No presente projecto intitulado ‘David’, procurou-se compreender, de forma prática, o mecanismo do transmedia storytelling bem como os componentes da estruturação da narrativa para cinema, televisão e web. As leituras teóricas da Cultura da Convergência e Participativa, do transmedia storytelling e dos elementos da narrativa serviram para enquadrar teoricamente um trabalho que inclui um guião para longa-metragem (escrita de acordo com a estrutura clássica da Narrativa, explorada por Campbell e Vogler) e a construção de um storyworld que figura numa Bíblia Transmedia (tendo por base os ensinamentos de Jenkins, Nuno Bernardo e demais profissionais deste mecanismo de contar estórias), documento base para a produção deste projecto.
Este estudo prático tem como finalidade a resposta à pergunta de partida que se baseia no criação e composição desse documento base que é a bíblia transmedia.
ABSTRACT: In this project called 'David', we tried to understand, in a practical way, the mechanism of transmedia storytelling as well as the components of narrative for cinema, television and web. Theoretical readings of Convergence and Participatory Culture, transmedia storytelling, and narrative elements served to theoretically frame a work that includes a screenplay for feature film (written according to the classic Narrative structure explored by Campbell and Vogler) and the construction of a storyworld that appears in a Transmedia Bible (based on the teachings of Jenkins, Nuno Bernardo and other professionals of this mechanism of storytelling), the basic document for the production of this project. This practical study has as its purpose the answer to the starting question that is based on the creation and composition of this base document that is the bible transmedia.
ABSTRACT: In this project called 'David', we tried to understand, in a practical way, the mechanism of transmedia storytelling as well as the components of narrative for cinema, television and web. Theoretical readings of Convergence and Participatory Culture, transmedia storytelling, and narrative elements served to theoretically frame a work that includes a screenplay for feature film (written according to the classic Narrative structure explored by Campbell and Vogler) and the construction of a storyworld that appears in a Transmedia Bible (based on the teachings of Jenkins, Nuno Bernardo and other professionals of this mechanism of storytelling), the basic document for the production of this project. This practical study has as its purpose the answer to the starting question that is based on the creation and composition of this base document that is the bible transmedia.
Description
Trabalho de projeto apresentado à Escola Superior de Comunicação Social como parte dos requisitos para obtenção de grau de mestre em Audiovisual e Multimédia.
Keywords
Audiovisual e multimedia Televisão Cinema Web Narrativa Cultura convergente Escrita de argumento Storytelling Transmedia storytelling Audiovisual and multimedia Television Cinema Web Narrative Convergence culture Script writing
Pedagogical Context
Citation
TENENTE, André Moreira - A construção de um storyworld e de uma bíblia transmedia: a estória de ‘David’. Lisboa: IPL, Escola Superior de Comunicação Social, 2017. Trabalho de projeto.
Publisher
Instituto Politécnico de Lisboa, Escola Superior de Comunicação Social