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Abstract(s)
Esta reflexão concretiza o Trabalho de Projecto que consiste na criação e encenação de um concerto intitulado Still Frank, com textos originais do poeta e dramaturgo Daniel Jonas e música de Rui Lima, Sérgio Martins e Pedro Cardoso. O espectáculo está inserido no programa da companhia Teatro Bruto e foi apresentado no TeCA – Teatro Carlos Alberto, em Dezembro de 2010, na cidade do Porto.
Pretendo com a criação deste objecto cénico reflectir sobre a dualidade intrínseca ao processo de criação, na relação do criador com a criatura, do encenador com o espectáculo, do actor com a personagem, do real com a ficção. A criação como algo que, sendo proveniente do indivíduo, posteriormente ganha forma numa entidade autónoma que sobrevive ao sujeito a partir do qual se originou e se duplicou e com o qual partilha uma identificação. O conceito de duplo, de monstro e o mito «Frankenstein» estarão na base de toda a pesquisa e fundamentação para a criação do espectáculo Still Frank e, na minha reflexão teórica, devidamente distanciada do objecto cénico criado. Mas este trabalho não se detém somente na análise e reflexão do processo de encenação de Still Frank; ele consubstancia o meu percurso enquanto encenadora, cenógrafa e figurinista, indissociável do projecto artístico da companhia Teatro Bruto, nascida nos anos noventa, na cidade do Porto, e do trabalho de partilha e identificação artística de um núcleo de criadores com quem tenho colaborado.
ABSTRACT - This reflection materializes the Work Project that consists of the creation and staging of a concert entitled Still Frank, with original texts by poet and playwright Daniel Jonas and music by Rui Lima, Sérgio Martins and Pedro Cardoso. The play belongs to Teatro Bruto’s program and was presented in TECA - Teatro Carlos Alberto, Porto, December 2010. With the creation of this scenic object I wish to reflect the intrinsic duality of the creation process, the relation between creator and creature, director and the show, actor with the character, reality and fiction. The creation as something that, coming from the individual, progressively takes shape in an autonomous entity that survives beyond the subject from which its originated and doubled and with which shares an identification. The concept of double, monster and the myth of 'Frankenstein' will underpin all the research and inquest for the creation of Still Frank and, in my theoretical reflection, properly distanced from the scenic object created. But this work doesn’t stop in the analysis and reflection of the directing process of Frank Still, he embodies my journey as a director, set designer and costume designer, inseparable from the artistic project of the company Teatro Bruto, born in the nineties in the city of Porto, and the artistic-sharing and identification of a core of creators with whom I collaborated.
ABSTRACT - This reflection materializes the Work Project that consists of the creation and staging of a concert entitled Still Frank, with original texts by poet and playwright Daniel Jonas and music by Rui Lima, Sérgio Martins and Pedro Cardoso. The play belongs to Teatro Bruto’s program and was presented in TECA - Teatro Carlos Alberto, Porto, December 2010. With the creation of this scenic object I wish to reflect the intrinsic duality of the creation process, the relation between creator and creature, director and the show, actor with the character, reality and fiction. The creation as something that, coming from the individual, progressively takes shape in an autonomous entity that survives beyond the subject from which its originated and doubled and with which shares an identification. The concept of double, monster and the myth of 'Frankenstein' will underpin all the research and inquest for the creation of Still Frank and, in my theoretical reflection, properly distanced from the scenic object created. But this work doesn’t stop in the analysis and reflection of the directing process of Frank Still, he embodies my journey as a director, set designer and costume designer, inseparable from the artistic project of the company Teatro Bruto, born in the nineties in the city of Porto, and the artistic-sharing and identification of a core of creators with whom I collaborated.
Description
Dissertação submetida à Escola Superior de Teatro e Cinema para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Teatro, especialização em Encenação
Keywords
Frankenstein Monstro Duplo Teatro anatómico Sofrimento Frankenstein monster Double Anatomical theater Suffering
Citation
Publisher
Instituto Politécnico de Lisboa - Escola Superior de Teatro e Cinema