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Advisor(s)
Abstract(s)
O órgão histórico de tipo português foi definido na viragem do século XVIII para o XIX através da atividade exercida na região de Lisboa pelos mestres organeiros António Xavier Machado e Cerveira (1756-1828) e Joaquim António Peres Fontanes (1750-1818). No norte do país, este modelo orgânico foi ampla e contemporaneamente implementado pelo mestre organeiro Manuel de Sá Couto (1768-1837), formado na escola organeira emanada da oficina vimaranense do mestre galego Francisco Antonio de Solla Filgueira (1731-1794). Pese embora o “Lagoncinha” – alcunha pela qual Sá Couto também ficou conhecido – tenha realizado uma síntese pessoal entre tradição ibérica e portuguesa, manifesta na elevada qualidade técnica e artística das várias dezenas de órgãos que construiu ainda preservados, a sua relevância no contexto da organaria portuguesa oitocentista ainda não foi devidamente legitimada pela historiografia do órgão em Portugal. É precisamente este reconhecimento que o presente artigo vem reivindicar.
ABSTRACT - The Portuguese historic organ was defined between the 18th and the 19th century through the activity carried out in Lisbon by the organ-makers António Xavier Machado e Cerveira (1756-1828) and Joaquim António Peres Fontanes (1750-1818). In the north of Portugal, this new organ model was widely and simultaneously implemented by the organ-maker Manuel de Sá Couto (1768-1837), formed at the organ school developed around the Galician organ-builder settled in Guimarães Francisco Antonio de Solla Filgueira (1731-1794). Although the “Lagoncinha” – nickname by which Sá Couto was known – accomplished a personal synthesis between the Iberian and Portuguese traditions materialized in the high technical and artistic quality of dozens of his organs still preserved, his relevance in the context of the 19th century Portuguese organ-making has not yet been properly legitimized by the historiography of the organ in Portugal. It is precisely this recognition that the present article aims do claim.
ABSTRACT - The Portuguese historic organ was defined between the 18th and the 19th century through the activity carried out in Lisbon by the organ-makers António Xavier Machado e Cerveira (1756-1828) and Joaquim António Peres Fontanes (1750-1818). In the north of Portugal, this new organ model was widely and simultaneously implemented by the organ-maker Manuel de Sá Couto (1768-1837), formed at the organ school developed around the Galician organ-builder settled in Guimarães Francisco Antonio de Solla Filgueira (1731-1794). Although the “Lagoncinha” – nickname by which Sá Couto was known – accomplished a personal synthesis between the Iberian and Portuguese traditions materialized in the high technical and artistic quality of dozens of his organs still preserved, his relevance in the context of the 19th century Portuguese organ-making has not yet been properly legitimized by the historiography of the organ in Portugal. It is precisely this recognition that the present article aims do claim.
Description
Keywords
Manuel de Sá Couto Lagoncinha Órgão português Organaria histórica Norte de Portugal Portuguese organ Historic organ-making North of Portugal
Citation
«Manuel De Sá Couto, O “Lagoncinha” (1768-1837), Expoente Da Organaria histórica Portuguesa». 2022. RHINOCERVS: Cinema, Dança, Música, Teatro 1 (1): 87-102. https://doi.org/10.34629/rcdmt.vol.1.n.1.pp87-102.
Publisher
Instituto Politécnico de Lisboa