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Authors
Advisor(s)
Abstract(s)
Este é um relatório de estágio que aborda o meu percurso como ator dentro da
companhia teatral brasileira Os Satyros entre o mês de março e dezembro de 2020, o
ano em que a pandemia da Covid-19 assolou o planeta e o mundo das artes cênicas
ficou fisicamente paralisado. Dessa forma, o conteúdo deste trabalho narra além das
minhas experiências pessoais e profissionais com o grupo paulistano, a transição d’
Os Satyros do espaço cênico físico para o digital, apresentando, através da
telecopresença, o seu pioneiro e inovador espetáculo: A Arte de Encarar o Medo.
Narro em primeira pessoa todo o processo de criação e de ensaios através do sistema
de devising, usado pelo coletivo, e conto toda a trajetória até atingirmos as quase cem
apresentações públicas. Este relatório também ressalta a grande importância das
tecnologias contemporâneas, que foram essenciais para que este projeto fosse
realizado. Tenho como base bibliográfica pensadores e estudiosos como Alberto
Guzik, Augusto Boal, Judith Butler, Paul B. Preciado, Ivam Cabral, Rodolfo García
Vázquez, Virginie Despentes, entre outros; e se dirige a todos os estudantes e
profissionais das artes performativas que se utilizam da tecnologia para o fazer teatral.
ABSTRACT - This is an internship report about my journey as an actor within the Brazilian theater company Os Satyros between March and December 2020, the year when the Covid- 19 pandemic ravaged the planet and the world of performing arts was physically paralyzed. In this way, the content of this work narrates, in addition to my personal and professional experiences with the São Paulo’ s group, the transition from Os Satyros from physical to digital scenic space, presenting, through teleconference / telecopresence, its pioneer and innovative show: The Art of Facing Fear. This work presents in first person the entire process of creation and rehearsals through the devising system, used by the group, and tells the entire trajectory until reaching almost one hundred public presentations. This report also highlights the great importance of contemporary technologies and devices that were essential for this project to be carried out. I have as a bibliographic base thinkers and scholars like Alberto Guzik, Augusto Boal, Judith Butler, Paul B. Preciado, Ivam Cabral, Rodolfo García Vázquez, Virginie Despentes, among others; and is aimed at all students and professionals in the performing arts who use technology to make theatre.
ABSTRACT - This is an internship report about my journey as an actor within the Brazilian theater company Os Satyros between March and December 2020, the year when the Covid- 19 pandemic ravaged the planet and the world of performing arts was physically paralyzed. In this way, the content of this work narrates, in addition to my personal and professional experiences with the São Paulo’ s group, the transition from Os Satyros from physical to digital scenic space, presenting, through teleconference / telecopresence, its pioneer and innovative show: The Art of Facing Fear. This work presents in first person the entire process of creation and rehearsals through the devising system, used by the group, and tells the entire trajectory until reaching almost one hundred public presentations. This report also highlights the great importance of contemporary technologies and devices that were essential for this project to be carried out. I have as a bibliographic base thinkers and scholars like Alberto Guzik, Augusto Boal, Judith Butler, Paul B. Preciado, Ivam Cabral, Rodolfo García Vázquez, Virginie Despentes, among others; and is aimed at all students and professionals in the performing arts who use technology to make theatre.
Description
Relatório de Estágio submetido à Escola Superior de Teatro e Cinema para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Teatro - especialização em Artes Performativas
Keywords
Lutas identitárias Os Satyros Política Teatro brasileiro Teatro digital Telecopresença Telepresença Brazilian theater Digital theater Identity issues Politics Telecopresence Telepresence
Citation
Publisher
Instituto Politécnico de Lisboa - Escola Superior de Teatro e Cinema