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Abstract(s)
Esta dissertação incide sobre a componente de pensamento, investigação e pesquisa necessária para a realização da performance Onanismos , tal como o processo criativo e processual de conceção da mesma, nomeadamente a construção com base na negação da narrativa, importância da ação e foco dado à plasticidade do espetáculo.
Onanismos foi uma performance realizada no Lavadouro de Carnide, que partiu da necessidade de abordar a censura e discriminação homossexual, nomeadamente a censura artística feita a obras de caráter homoerótico ou homoafetivas em Portugal no início do século XX. Serve de questionamento e investigação de como foi criado e construído um “armário português” referido por Klobucka e reflete sobre a passagem de um pensamento conservador para uma censura criativa artística.
Pensa-se acerca do impacto da censura artística e como pode isso ser determinante tanto a nível de pensamento social, como a nível de conceção artística queer .
ABSTRACT - This thesis focuses on the thought and research components that were necessary for the Onanismos performance, along with the procedural and creative processes that were part of it, namely constructing based on the refusal of narrative, the importance of action and the focus given to the plasticity of the performance. Onanismos was a performance that took place in Lavadouro de Carnide, that stemmed from the need to tackle censorship and homosexual discrimination. Particularly artistic censorship exercised upon homoerotic or homoaffective works in Portugal, at the turn of the 20th century. It serves as an inquiry and exploration of how a “portuguese closet”, as mentioned by Klobucka, was created and constructed and reflects on the movement from a conservative mindset to creative artistic censorship. What’s the impact of artistic censorship and how fundamental can this be in terms of social thinking as well as queer artistic conception.
ABSTRACT - This thesis focuses on the thought and research components that were necessary for the Onanismos performance, along with the procedural and creative processes that were part of it, namely constructing based on the refusal of narrative, the importance of action and the focus given to the plasticity of the performance. Onanismos was a performance that took place in Lavadouro de Carnide, that stemmed from the need to tackle censorship and homosexual discrimination. Particularly artistic censorship exercised upon homoerotic or homoaffective works in Portugal, at the turn of the 20th century. It serves as an inquiry and exploration of how a “portuguese closet”, as mentioned by Klobucka, was created and constructed and reflects on the movement from a conservative mindset to creative artistic censorship. What’s the impact of artistic censorship and how fundamental can this be in terms of social thinking as well as queer artistic conception.
Description
Trabalho de Projeto submetido à Escola Superior de Teatro e Cinema para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Teatro - especialização em Artes Performativas.
Keywords
Armário português Queer Censura Botto Heteronormatividade Performance Portuguese closet Censorship Heteronormativity
Citation
Publisher
Instituto Politécnico de Lisboa - Escola Superior de Teatro e Cinema