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Abstract(s)
Texto dividido em duas partes, na primeira aborda-se a evolução do teatro em Portugal do pós segunda grande guerra à contemporaneidade, focando particularmente o experimentalismo do final dos anos quarenta, um período que se pode caracterizar por uma ânsia de renovação e modernização; a constituição de um teatro independente fortemente politizado nos anos setenta; e a pluralidade da cena contemporânea. Na segunda parte aborda-se a alegada incapacidade atávica dos escritores portugueses para a escrita dramática, mapeando os nomes mais significativos do pós-25 de Abril de 1974 até à contemporaneidade.
This text is divided in two parts. Firstly, I deal with the evolution on Portuguese theatre from the post-second world war period until present day. I’m focusing on the experimentalism of the forties, characterized by an urge for renewal and modernization; the constitution of a highly politicized independent theatre movement, in the seventies; and the plurality of contemporary Portuguese theatre. Secondly, I deal with the alleged inability of Portuguese writers for playwriting, signalling the most significant names of the post Carnation Revolution, on the 25th of April 1974, to present days.
This text is divided in two parts. Firstly, I deal with the evolution on Portuguese theatre from the post-second world war period until present day. I’m focusing on the experimentalism of the forties, characterized by an urge for renewal and modernization; the constitution of a highly politicized independent theatre movement, in the seventies; and the plurality of contemporary Portuguese theatre. Secondly, I deal with the alleged inability of Portuguese writers for playwriting, signalling the most significant names of the post Carnation Revolution, on the 25th of April 1974, to present days.
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Keywords
História do teatro em Portugal Dramaturgia Teatro do pós-Guerra Literatura dramática portuguesa contemporânea Post-war theatre Experimental theatre Post-1974 carnation revolution portuguese dramaturgy Contemporary portuguese dramaturgy