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Authors
Advisor(s)
Abstract(s)
O texto incide sobre o processo criativo e artístico da artista brasileira Sônia Gomes cuja obra nasce do resgate de matérias têxteis, e outros materiais “encontrados” como papel, cartão, troncos, raízes, arame, etc. Através do gesto da artista este materiais de “resíduo” conhecem uma nova existência enquanto objetos de arte, imbuídos de memória. Amarrando ou costurando as peças de vestuário, tecidos, bordados e outras matérias, a artista convoca a dimensão vivencial de cada elemento. Os seus ciclos de uso, ligações
particulares com o seu proprietário, tornam as suas peças, um palimpsesto que entrelaça sucessivas
camadas de tempo-significado.
Abstract: The text focuses on the creative and artistic process of the Brazilian artist Sônia Gomes whose work is born from the rescue of textiles and other “found” materials such as paper, cardboard, trunks, roots, wire, etc. Through the artist’s gesture these “waste” materials know a new existence as objects of art, embedded with memory. Tying or sewing garments, fabrics, embroidery and other materials, the artist summons its existential dimension; its cycles of use, particular links with its owner, make these pieces a palimpsest that interweaves successive layers of time-meaning.
Abstract: The text focuses on the creative and artistic process of the Brazilian artist Sônia Gomes whose work is born from the rescue of textiles and other “found” materials such as paper, cardboard, trunks, roots, wire, etc. Through the artist’s gesture these “waste” materials know a new existence as objects of art, embedded with memory. Tying or sewing garments, fabrics, embroidery and other materials, the artist summons its existential dimension; its cycles of use, particular links with its owner, make these pieces a palimpsest that interweaves successive layers of time-meaning.
Description
Keywords
Arte têxtil Apropriação Palimpsesto Tempo Textile Art Appropriation Palimpsest Time
Citation
Pereira, T. M. (2019) «Tempo, Memória e Palimpsesto na obra de Sônia Gomes» In :ESTÚDIO, Artistas sobre outras Obras Vol. 10, número 26, abril-junho, pp.93-103.