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Abstract(s)
Este texto procura pensar a relação entre uma das primeiras películas da obra cinematográfica experimental e pioneira do realizador Hans Richter e o principal movimento vanguardista da época que ficou conhecido como Dadaísmo e que marcou intensamente o panorama das artes visuais na Europa, no período compreendido entre as duas grandes guerras mundiais. O cinema experimental de Richter é então contrastado com a pintura de Harp e ambas as linguagens naquilo que têm de singular, são analisadas dentro de uma perspetiva que definimos (baseados em Medeiros e Pimentel, 2013) como ecossistema estético.
Abstract This text seeks to think about the relationship between one of the first films of the experimental and pioneering cinematographic work of the director Hans Richter and the main avant-garde movement of the time that became known as Dadaism that shaped the visual arts panorama in Europe in the period between two major world wars. Richter's experimental cinema is then contrasted with Harp's painting and both languages in what is unique are analysed within a perspective that we define (based on Medeiros and Pimentel, 2013) as an aesthetic ecosystem.
Abstract This text seeks to think about the relationship between one of the first films of the experimental and pioneering cinematographic work of the director Hans Richter and the main avant-garde movement of the time that became known as Dadaism that shaped the visual arts panorama in Europe in the period between two major world wars. Richter's experimental cinema is then contrasted with Harp's painting and both languages in what is unique are analysed within a perspective that we define (based on Medeiros and Pimentel, 2013) as an aesthetic ecosystem.
Description
Keywords
Cinema Hans Richter Pintura Dadaísmo Ecossistema estético Painting Dadaism Aesthetic ecosystem
Citation
Charréu, L.; Charréu, A. (2020). A pintura e o cinema enquanto linguagens de um mesmo ecossistema estético: Uma análise de “Rythmus21” de Hans Richter e as suas relações com o dadaísmo de Hans Arp. Revista Internacional em Língua Portuguesa. Nº Especial Artes Performativas e Imagem em Movimento, IVª Série, nº38, 173-182. https://doi.org/10.31492/2184-2043.RILP2020.38/pp.173-182