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Authors
Advisor(s)
Abstract(s)
Este trabalho pretende fundamentar e explicitar o processo de conceção e
elaboração do Poeta Fernando Pessoa, enquanto personagem da peça Menino de sua
Avó, do dramaturgo português Armando Nascimento Rosa, levado à cena pela
companhia A Barraca.
Reunindo todos os materiais utilizados para a criação deste eterno fenómeno
literário, comecei por analisar a obra do dramaturgo desta criação cénica para poder
identificar as suas influências nesta temática pessoana.
Pretendo nesta investigação analisar os elementos em que fundamentei esta
criação de Fernando Pessoa, partindo das minhas primeiras experiências dramáticas,
depois das que tive na academia, até ancorar nos palcos profissionais. Com a
profissionalização, identifiquei um método de trabalho como ator e é nesse processo que
se centra este estudo. Irei propor, em resultado desta investigação, um manual para um
ator que interprete este poeta. Para uma criação desta natureza, esse manual centra-se
em três fases: a primeira, que denomino por construção de um ator, talvez a mais ampla,
passa pelas aprendizagens obtidas nas primeiras experiências dramáticas, seguidas pelos
ensinamentos da academia, até às realizações práticas com os mestres e encenadores no
palco. A segunda, nomeada aqui como a preparação de um papel, é a investigação da
personagem a interpretar – neste caso, Fernando Pessoa. Essa pesquisa parte da exegese
da obra do poeta, essencial para a criação de um Fernando Pessoa no palco, assim como
a pesquisa de estudos pessoanos, cuja matéria seja primordial para o trabalho que me
proponho. Por fim, a terceira parte, a criação da personagem, onde Fernando Pessoa se
encontra no palco e são escolhidas com detalhe as suas características anteriormente
estudadas, assim como as abordagens técnicas apreendidas até à realização desta
criação. Este manual é específico para esta personagem, e nele apresento as influências
diretas e utilizadas nesta construção
ABSTRACT - The Poet Fernando Pessoa, as a character in Menino de sua Avó by the Portuguese playwright Armando Nascimento Rosa, taken to the scene by the company A Barraca, is the study presented here. Gathering all the materials used for the creation of this eternal literary phenomenon, we began by analyzing the playwright's work of this scenic creation so that we can identify his influences in this subject matter. I intend in this investigation to analyze the fundamental elements of the creation of a Fernando Pessoa in the theater, beginning with the first dramatic experiences, later in the gym, until anchoring in the professional stages. When I became a professional, I identified a method as an actor, and that process of recognition about my own method to create the characters I interpret that is what this study is about. In my point of view, an actor's manual for such a creation focuses on three phases: the first that I call the construction of an actor, perhaps the broadest, goes through the first dramatic experiences, the academy's teachings to the Practical accomplishments with the masters and stage directors. The second named here as the preparation of a role is the investigation of the character to interpret - Fernando Pessoa. This research starts from the exegesis of the work of the Essential Poet for the creation of a Fernando Pessoa on stage, as well as the as research on Fernando Pessoa studies, whose subject is paramount to the work I propose. Finally, the creation of the character, where Fernando Pessoa is on stage and are meticulously chosen their characteristics previously studied, as well as the technical approaches learned until the realization of this creation. This manual is specific to this character, I present the direct and used influences in this construction.
ABSTRACT - The Poet Fernando Pessoa, as a character in Menino de sua Avó by the Portuguese playwright Armando Nascimento Rosa, taken to the scene by the company A Barraca, is the study presented here. Gathering all the materials used for the creation of this eternal literary phenomenon, we began by analyzing the playwright's work of this scenic creation so that we can identify his influences in this subject matter. I intend in this investigation to analyze the fundamental elements of the creation of a Fernando Pessoa in the theater, beginning with the first dramatic experiences, later in the gym, until anchoring in the professional stages. When I became a professional, I identified a method as an actor, and that process of recognition about my own method to create the characters I interpret that is what this study is about. In my point of view, an actor's manual for such a creation focuses on three phases: the first that I call the construction of an actor, perhaps the broadest, goes through the first dramatic experiences, the academy's teachings to the Practical accomplishments with the masters and stage directors. The second named here as the preparation of a role is the investigation of the character to interpret - Fernando Pessoa. This research starts from the exegesis of the work of the Essential Poet for the creation of a Fernando Pessoa on stage, as well as the as research on Fernando Pessoa studies, whose subject is paramount to the work I propose. Finally, the creation of the character, where Fernando Pessoa is on stage and are meticulously chosen their characteristics previously studied, as well as the technical approaches learned until the realization of this creation. This manual is specific to this character, I present the direct and used influences in this construction.
Description
Doutoramento em Comunicação, Cultura e Artes (Teatro) - Universidade do Algarve
Keywords
Fernando Pessoa Menino de sua Avó Armando Nascimento Rosa Ator Metateatro Realismo fantástico Não-objeto cénico Actor Metatheatre Fantastic realism Scenic non-object
Citation
Publisher
Universidade do Algarve, Faculdade de Ciências Humanas e Sociais