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Resumo(s)
ABSTRACT - Versatility and an extensive embodied repertoire are essential attributes for Contemporary dancers in today's professional landscape. The ability to engage with diverse choreographic processes which are often characterized by collaboration and co-creation,demands a broad skill set and adaptability. This paper presents an empirical and autobiographical exploration of the process of becoming and working as a Contemporary dancer across multiple dance institutions and companies. Specifically, it examines two contemporary choreographic works and their impact on the subjective experience of performing as a repertoire dancer with the now-extinct Ballet Gulbenkian. Through an analysis of two restagings from the company’s 2003/2004 season; Jiří Kylián’s Falling Angels and Marie Chouinard’s Le Sacre du Printemps, this study investigates these works as comparative and subjective practices within an eclectic dance repertoire. By reflecting on these experiences, the paper aims to contribute to discussions on the evolving role of Contemporary dancers and the demands of professional repertory work in an increasingly interdisciplinary field.
Descrição
Palavras-chave
Professional repertoire dancer Eclectic dancer Singularity
Contexto Educativo
Citação
Rijmer, Sylvia. (2017). Being a repertoire dancer: An eclectic process of embodiment from studio to stage. [Specialist Title in the area of Dance, Escola Superior de Dança]. Repositório Científico do Instituto Politécnico de Lisboa
Editora
Escola Superior de Dança, Instituto Politécnico de Lisboa